Saltykov House (Groten House) - University of Culture and Arts

Millionnaya St., 3, Saint Petersburg, Russia, 191186

The Saltykov House (Groten House) is a spacious mansion in Saint Petersburg, located at the intersection of Palace Embankment and Millionnaya Street. After its completion in 1788, it was gifted by Catherine II to the courtier Nikolai Ivanovich Saltykov. Subsequently, it underwent multiple renovations, with architects Quarenghi, Carlo Rossi, Harald Bosse, and K. I. Lorentzen all contributing to the building's current appearance.
In the 1780s, Russian Empress Catherine II began allocating land along the Neva River between the Lebyazhiy Canal and the service wing of the Marble Palace to prominent courtiers. The first plot (right next to the Summer Garden) was given to Betsky. In 1784, the next plot between the Palace Embankment and Tsaritsyn Meadow was allocated to State Secretary Pyotr Soymonov; however, the nobleman declined to develop the assigned land—apparently, the gift came with the obligation for the owner to build on it within five years, failing which the plot would revert to the treasury. The next owner of the land was merchant F. I. Groten, for whom a mansion was built according to a design by Giacomo Quarenghi, the exterior of which has survived to the present day with minor alterations. While designing the house, Quarenghi faced an important planning challenge—he had to decide which side the main façade of the building should face. The Italian architect decided to orient the building northward, toward the Palace Embankment, since the other sides were unsuitable for a formal façade: to the south, Groten’s plot faced the undeveloped Tsaritsyn Meadow and the gates of Betsky’s house, and to the west (from the current Suvorov Square side) was the border of Vorontsov’s estate, who later disposed of his land in this area. The building faced Tsaritsyn Meadow with two floors and the Neva with three, and it was fenced off from both the river and the meadow. To the west of the mansion, a garden was laid out, extending to the service wing of the Marble Palace. The western façade was “blind”—it had no windows because it was assumed that another building would be constructed right next to it.
In July 1790, prominent St. Petersburg citizen Sivers purchased the mansion from Groten for 30,000 rubles—a sum evidently exceeding the cost of construction and furnishing. In March 1793, Sivers made a very profitable deal, selling the house for 82,875 rubles to Princess Ekaterina Petrovna Baryatinskaya (née Princess Holstein-Beck). Together with her husband, Prince Ivan Sergeyevich Baryatinsky, a prominent Russian diplomat and statesman of the Catherine era, the family was among the most noble in the capital. Three years later, in 1796, the princess began renting out apartments in the house. Despite the advertisement published on February 1 in the "Saint Petersburg Gazette" ("The house of Princess Ekaterina Petrovna Baryatinskaya near the Summer Garden is offered for rent..."), rental housing in the mansion was unpopular among potential tenants due to a citywide legend that the mansion was haunted by the ghost of Peter I and a young lady, with the emperor scolding her in no uncertain terms. The advertisement was noticed at court, and two days later the mansion was repurchased by the treasury and gifted to the prominent Russian statesman and field marshal Nikolai Ivanovich Saltykov for his merits in raising Catherine II’s beloved grandson, Grand Duke Konstantin Pavlovich.

Head of the Military Collegium, Nikolai Saltykov, had a somewhat ambiguous reputation. Some considered him the ideal courtier, while others saw him merely as a clever favorite. It was to his care that Catherine entrusted the heir to the throne, Pavel, for ten years, and later the grand dukes Alexander and Konstantin. The house on the Palace Embankment served as a material token of gratitude for raising Alexander. From 1812 to 1816, Saltykov held the posts of Chairman of the State Council and Committee of Ministers. Historians note that it was in his house that the meeting took place where Kutuzov was appointed commander-in-chief of the Russian army in 1812. Between 1818 and 1823, a grand staircase and a house church were installed in the house; the reconstruction was also connected with the creation of Suvorov Square according to Carlo Rossi’s design: it was then that the previously blind western wall received architectural treatment.
Alexander Suvorov was a frequent guest. In the summer of 1812, in this house, in the office of the president of the Military Collegium, Field Marshal Saltykov, Kutuzov was chosen as commander-in-chief of the Russian army.
Originally, the building had three floors on the Neva side and two on the side of Mars Field. Since it was assumed during construction that another building would eventually be built right next to it on the Marble Palace side, the western façade had no windows and faced a garden occupying the entire space up to the service wing of the Marble Palace, separated from Tsaritsyn Meadow and the Neva bank by a fence. But in 1818, according to Rossi’s project, Suvorov Square was created on the site of the garden, and the façade facing it was remodeled. Between 1818 and 1823, the mansion’s grand staircase and vestibule were rebuilt.
On September 10, 1797, Archpriest Pavel Ozereckovsky consecrated the Church of the Resurrection of Christ in the house. In April 1818, the church was moved to another location due to the building’s reconstruction. After the work was completed, the church was returned to the mansion and reconsecrated on April 8, 1823. The church was closed in 1828.

Many interiors of the mansion have survived to this day: the vestibule, the grand staircase, the White Hall. On the Suvorov Square side, the building was adjoined by a porch. Throughout the 19th century, Saltykov’s descendants repeatedly attempted to remodel the house. For example, in 1843–1844, the mansion was altered by Bosse. Among the interiors affected was the White Hall. In 1881, architect Lorentzen expanded the wing along Millionnaya Street.

Saltykov’s descendants held ownership rights to the house until 1917, but they did not live there and rented it out. For 90 years, foreign embassies were housed in the building. From 1829 to 1855, the Austrian embassy was located there, headed by Count Ficquelmont. From 1855, the third and fourth floors were occupied by Baron Otto Plessen, the Danish ambassador. From 1863 to 1918, the British embassy rented the building. After embassies moved to Moscow, the building was used as a warehouse for confiscated furniture and works of art.
After the October Revolution, the building housed the Institute of Extracurricular Education, and from 1925, the Communist Political and Educational Institute named after Krupskaya opened there (later the Leningrad Library Institute, now the Saint Petersburg State Institute of Culture and Arts). It is connected by internal passages to the neighboring Betsky house, which has also belonged to the Institute of Culture since the 1960s.
Between 1818 and 1828, the house had a house church. Many interiors of the mansion have survived to this day: the vestibule, the grand staircase, the White Hall. On the Suvorov Square side, the building was adjoined by a porch. Throughout the 19th century, Saltykov’s descendants repeatedly attempted to remodel the house. For example, in 1843–1844, the mansion was altered by Bosse. Among the interiors affected was the White Hall. In 1881, architect Lorentzen expanded the wing along Millionnaya Street.
Nearby the house, two memorial plaques have been installed. The first was placed in 1970–1971 in memory of the employees of the Academy of Culture who died in the Great Patriotic War. The second, dating from the 1760s, was an inscription “1767” carved on a granite block of the Palace Embankment facing.
During the war years, the building housed a hospital.


Sources:
https://www.citywalls.ru/house1923.html
https://ru.wikipedia.org/wiki/Дом_Салтыкова

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More stories from Great Architects: Giacomo Quarenghi

English Palace - The Executed Masterpiece of Quarenghi

VVJJ+7P Petrodvortsovy District, Saint Petersburg, Russia

The English Palace was located in the center of the English Park, on the northern shore of the English Pond. The monumental three-story building with an eight-column portico was built in 1796 based on a design by Giacomo Quarenghi. This was Quarenghi's first project in Russia. The palace's patron, Catherine II, planned to rest here away from the courtly bustle.

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Italian Architects in Saint Petersburg - Busts of Four Italian Architects

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The busts of four Italian architects—Antonio Rinaldi, Carlo Rossi, Giacomo Quarenghi, and Bartolomeo Rastrelli—appeared on Manezhnaya Square in Saint Petersburg in 2003 thanks to sculptors V.E. Gorevoy and architect V.V. Popov. This was a gift from the government of the Italian Republic and the municipality of the city of Milan for the 300th anniversary of Saint Petersburg.

Kiryanovo Estate ("Dashkova's Dacha," "Horseshoe")

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Kiryanovo ("Dashkova's Dacha," "Horseshoe") is a country house in the Palladian style, built in 1783–1784 for Princess Vorontsova-Dashkova according to a design by Giacomo Quarenghi at the 4th verst of the Peterhof road.

Konstantinovsky Palace in Pavlovsk Park

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The time of the creation of the Konstantin Palace dates back to the late 18th century. The construction of the palace began in the Catherine Park of Tsarskoye Selo in November 1792. The palace was built from November 1792 to June 1793 according to the design of architect Giacomo Quarenghi. It is known that it was a rectangular two-story building, 58 meters long and 23 meters wide. The central part of the main facade, with three Venetian (triple) windows, was crowned with a pediment. Ten Ionic half-columns were installed between the windows. The exterior of the palace was clad with boards, the walls were painted yellow, and the roof was green. The years of the Konstantin Palace's existence in Tsarskoye Selo represent only the first stage of its history. On August 19, 1797, when Paul I ascended the throne, a decree was issued to move the Konstantin Palace with its kitchen to Pavlovsk. The relocation began in February 1798 and lasted more than five months. The construction of the palace was carried out under the supervision of architect Brenna.

The Church of Saint Mary Magdalene - the first stone building in Pavlovsk

Sadovaya St., 17, Saint Petersburg, Russia, 196620

The Church of Saint Mary Magdalene is an Orthodox temple in Pavlovsk, the first stone building in the city. The church was founded in May 1781 in the presence of Grand Duke Pavel Petrovich and his family. The construction of the church was funded by Empress Maria Feodorovna. The project was designed by Giacomo Quarenghi. All the stonework on the church was completed on September 12 (23), 1781, but the consecration of the church by Metropolitan Gavriil (Petrov) in the name of Saint Mary Magdalene took place only on September 6 (17), 1784.

The Grand Palace in Pavlovsk

Sadovaya St., 20, Saint Petersburg, Russia, 196621

Pavlovsk Palace is a uniquely beautiful structure that once served as the residence of Emperor Paul I. The majestic palace is located near Tsarskoye Selo, on a small elevation, making it clearly visible from any point in the city. Many talented architects contributed to the creation of this architectural gem of world significance, including Charles Cameron, Vincenzo Brenna, Andrey Voronikhin, Giacomo Quarenghi, and Carlo Rossi.

Kitchen-ruin

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Located next to the Concert Hall, the Kitchen Ruin, built by Quarenghi in the 1780s, is among the architect's finest works. The entrance to the pavilion—a circular in plan structure complicated by two rectangular projections—is designed as a niche, with a door set deep inside. The curved parts of the facade between the projections are decorated with columns.

Concert hall in Catherine Park

Catherine Park / Ekaterininsky Park, Saint Petersburg, Russia, 196603

In the 1780s, architect Quarenghi built a Concert Hall in Catherine Park, which he described as "a music hall with two cabinets and an open temple dedicated to the goddess Ceres." Confirmation that the pavilion was conceived as a temple to Ceres was provided by the panel "Sacrifice to Ceres" in its large hall, depicting a statue of the goddess in the temple portico, in front of which an altar is placed. Initially, the pavilion was called the "Temple of Friendship," but from 1788, at the request of Catherine II, it became known as the "Music" or "Concert" Hall.

Turkish bath

Parkovaya St., 40, Saint Petersburg, Russia, 196603

In memory of the signing of the Treaty of Jassy in 1791, Empress Catherine II commissioned architect Giacomo Quarenghi to design a pavilion called the Turkish Bath. This project was never realized. Nicholas I decided to fulfill his grandmother the Empress's intention by decorating the park with a pavilion dedicated to the victories of the Russian army over the Turks, but during another victorious war for Russia against Turkey in 1828–1829 and the subsequent Treaty of Adrianople concluded as a result.

Alexandrovsky Palace - The Palace of Catherine II's Beloved Grandson

Alexandrovsky Park, Dvortsovaya St., 2, Saint Petersburg, Russia, 196601

The history of the creation of the palace here, surrounded by an oasis of man-made nature, is connected with the names of two august figures – Empress Catherine II and her grandson, the future Emperor Alexander I, as well as the architect Giacomo Quarenghi. In the northern part of the picturesque Alexander Park, a magnificent building was erected — the New Tsarskoye Selo (later Alexander) Palace. It was founded in 1792 by order of Catherine II and was built for the wedding of her beloved grandson, Grand Duke Alexander Pavlovich (the future Emperor Alexander I), to Grand Duchess Elizabeth Alexeievna.

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English Park — the first landscape park in Peterhof

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Dvortsovaya St., 1, Saint Petersburg, Russia, 196601

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School of the Order of St. Catherine (Catherine Institute) - Russian National Library

Fontanka River Embankment, 36, Saint Petersburg, Russia, 191025

The Institute for Noble Maidens, opened in Saint Petersburg on the initiative of Empress Maria Feodorovna in 1798. It occupied a building constructed for its accommodation based on a design by J. Quarenghi.

Horse Guards Manege - Central Exhibition Hall

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A monumental building in the neoclassical style, constructed in Saint Petersburg between 1804 and 1807 based on a design by Giacomo Quarenghi for winter and summer training, as well as ceremonial horse rides of the Life Guards Horse Regiment. It occupies part of the Konnogvardeysky Boulevard, with its facade facing Isaakievskaya Square. During the Soviet era, it was converted into an NKVD garage, and since 1977 it has been used as an exhibition hall.

Building of the Petersburg Academy of Sciences (Imperial Saint Petersburg Academy of Sciences)

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At first, the St. Petersburg Academy of Sciences was located in the Shafirov House on City Island, as well as in neighboring buildings: the former house of Count Zotov, which housed the academic office, and the house of Prince Gagarin. Since 1728, it was situated on Vasilievsky Island, in the Kunstkamera building and the nearby palace of Tsarina Praskovya Fyodorovna. From the beginning of the 18th century, the Kunstkamera building became a symbol of the Russian Academy of Sciences. Between 1783 and 1789, architect G. Quarenghi built a new building for the Academy at 5 University Embankment. Today, this building is a monument of strict classicism architecture, part of the ensemble of the Strelka of Vasilievsky Island and the University Embankment. It housed academic warehouses (stores), a bookshop, and apartments for employees.

Hermitage Theatre

Palace Embankment, 34, Saint Petersburg, Russia, 190000

The Hermitage Theatre is a theatrical building in Saint Petersburg, constructed between 1783 and 1789 based on a design by the Italian architect Giacomo Quarenghi. The building is located on the site of Peter I's former Winter Palace, at the corner of Palace Embankment and Winter Canal. It completes the complex of buildings stretching along the Neva River and connected by arches and passages into a single entity with the Winter Palace.

Assignation Bank Building (Saint Petersburg) - Financial and Economic Institute

Griboedov Canal Embankment, 30, Saint Petersburg, Russia, 191186

The building of the State Assignation Bank is a monument of strict classicism architecture, constructed between 1783 and 1790 by architect Quarenghi, whose bust is installed in front of the bank's facade. The horseshoe-shaped building of the Assignation Bank consists of a central three-story block with a massive six-column Corinthian portico on a rusticated arcade and storage rooms connected to it by open gallery colonnades. The ceremonial courtyard is separated from Sadovaya Street by an iron fence with pavilion-propylaea and granite pillars, and from the Griboedov Canal, the building is enclosed by an iron fence from 1817, created by architect Ruska.

Yusupov Palace - Institute of Railway Engineers Corps - Petersburg State Transport University

Moskovsky Ave., 9b, Saint Petersburg, Russia, 190068

The estate of Prince Yusupov on the Fontanka River in the mid-18th century was one of the wealthiest in the city. On the plot stood a luxurious Baroque palace, whose layout resembled a widely spread letter H. The building, raised on high cellars, combined a central two-story volume with one-story transverse wings, connected by one-story sections. A trellis fence separated the estate from the river.

The estate of Count P.V. Zavadovsky, Church of Saint Catherine

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Not far from Novozybkov, in the village of Lyalichi in the Surazh district, lie the majestic ruins of the Ekaterinodar estate, built in the 18th century by Count Pyotr Vasilyevich Zavadovsky. This architectural monument, alas, shared the fate of many similar structures — the estate of Catherine II’s favorite passed from hand to hand, slowly falling into ruin, and was already a pitiful sight by the early 20th century. But it is encouraging that the estate is gradually being restored, and the Church of St. Catherine located right there has almost been fully renovated.

The Bezzarov Dacha or Zhernovka

Irinovsky Ave., 9, Saint Petersburg, Russia, 195279

Former noble estate. Throughout its history, it has changed owners and names multiple times. The estate was built at the end of the 18th century, presumably by architect Giacomo Quarenghi, and was reconstructed in the 1880s. After the revolution, it fell into decline.

Round market - cloudberries for Pushkin

Moika River Embankment, 3, Saint Petersburg, Russia, 191186

The Round Market is an architectural structure from the 18th century. It was built according to the design of Giacomo Quarenghi in 1790. The structure is considered one of the oldest in Saint Petersburg. Its urban and architectural value is directly related to the development of the embankment and canal in St. Petersburg. The building has a triangular shape with rounded ends, which gives it its name. The building is located between Krugovoy Avenue, Aptekarsky Lane, and the Moika River.

Anglican Church of Jesus Christ (on English Embankment)

English Embankment, 56, Saint Petersburg, Russia, 190121

The building was constructed in the 1730s of the 18th century. The Anglican Church of Jesus Christ was established in 1723 by members of the English community in a house rented for this purpose from the Sheremetevs. In 1753, the building was acquired by the British consul. In 1814-1815, the building was rebuilt according to the design of architect J. Quarenghi in the neoclassical style.

Kamenny Island Palace

Embankment of the Malaya Nevka River, 1, Saint Petersburg, Russia, 197045

The Kamenny Island Palace, built for Paul I, never became his home. His son Alexander I, on the contrary, made it his main residence, where he subsequently made a number of the most momentous decisions for the country. It is also here, according to legend, that the emperor dreamed of Peter I in the form of the "Bronze Horseman."

Maltese Chapel

26 Sadovaya St., bldg. A, Saint Petersburg, Russia, 191023

The Catholic Church of the Order of the Knights of Malta, built by Giacomo Quarenghi at the end of the 18th century. The chapel is part of the architectural complex of the Vorontsov Palace in Saint Petersburg (attached to the main building of the palace on the garden side).

Vorontsov Palace

26 Sadovaya St., Building A, Saint Petersburg, Russia, 191023

A palace in the central part of Saint Petersburg, located on Sadovaya Street opposite Gostiny Dvor. It was built according to the project of architect Francesco Rastrelli between 1749 and 1758 for Chancellor Mikhail Vorontsov. The palace was distinguished by its rich, elegant facade decoration and lavish interior finishes, featuring more than 50 ceremonial halls and rooms. Due to the colossal expenses on construction, just a few years after completion, Vorontsov was forced to sell the palace to the treasury for 217,000 rubles. Under Paul I, the palace was given to the Maltese Order, during which the Maltese Chapel was built based on a design by Giacomo Quarenghi. In 1810, Emperor Alexander I placed the Page Corps in the palace, and the building belonged to it until the revolution. In the 20th century, the palace complex was occupied by various military schools. In 2019, the building was taken over by the Third Cassation Court of General Jurisdiction. In 2021, under the guise of major repairs, the institution initiated a tender for the demolition of three pre-revolutionary wings on the palace grounds.