The Marriage of Blok

Lakhtinskaya St., 3, lit. A, Saint Petersburg, Russia, 197136

Alexander Blok and Lyubov Mendeleeva, the daughter of chemist Dmitri Mendeleev, had known each other since childhood. But it was in the summer of 1898, when they worked together on an amateur home production of *Hamlet*, that they grew closer. Their estates near Moscow, Shakhmatovo and Boblovo, were neighbors, and their parents had always been friends. She perfectly fit the image of a professor’s daughter: a strict and reserved gymnasium student. At that time, Blok was not yet “the” Blok — he was only destined to become a famous poet. He asked for Mendeleeva’s hand and heart much later and married his beloved only in 1903, at the age of 23. Lyubov Dmitrievna became the poet’s muse and influenced the creation of his first book of poems, *Verses About the Beautiful Lady*. Their relationship, with interruptions, lasted until the poet’s final years.

Alexander Blok and Lyubov Mendeleeva, the daughter of chemist Dmitri Mendeleev, had known each other since childhood. But it was in the summer of 1898, when they worked together on an amateur home production of "Hamlet," that they grew closer. Their suburban estates, Shakhmatovo and Boblovo, were neighbors, and their parents were always friends. She fully embodied the image of a professor’s daughter: a strict and unapproachable gymnasium student. At that time, Blok was not yet "the" Blok — he was yet to become a famous poet. He asked for Mendeleeva’s hand and heart much later and married his beloved only in 1903, at the age of 23. Lyubov Dmitrievna became the poet’s muse and influenced the creation of his first book of poems, "Verses About the Beautiful Lady." Their relationship, with interruptions, lasted until the poet’s final years.

Blok saw in his chosen one not an ordinary girl, though educated and charming, but the image of the Beautiful Lady foretold by the founder of Russian symbolism, Solovyov, whom one must serve knightly, the Eternal Femininity before whom one should humbly, monastically bow. "You are my Sun, my Sky, my Bliss. I cannot live without You here or there. You are my First Secret and my Last Hope. My whole life, without exception, belongs to You from beginning to end" (to Mendeleeva, November 10, 1902).

This strange romance, like Blok’s mother’s romance, ended with a proposal and a wedding in a village church on August 17, 1903.

History holds many confirmations that the poet’s marriage to the actress was not an example of a stable married life. Despite the fact that Blok loved and was insanely jealous of his wife, he maintained relationships with many acquaintances, women whose connections could hardly be called innocent. At one time, it was the actress Natalia Nikolaevna Volokhova, then the opera singer Lyubov Alexandrovna Andreeva-Delmas. However, Lyubov Dmitrievna herself allowed herself affairs on the side.

In the house on Lakhtinskaya Street, in a small apartment No. 44, located on the fifth floor (many books mistakenly indicate the fourth floor), at the beginning of September 1906, newlyweds A. A. Blok and L. D. Blok settled. They lived there until the fall of 1907. From here, they almost parted forever. About this house, Blok wrote: "Only one hope remains for me: to look into the courtyard well..." This house is described in the poet’s poems "Cold Day," "In October," "In the Attic," "Windows to the Yard." Blok and his wife lived there for two years, and here the poet wrote the famous poem "The Stranger." Apartment No. 44 became a haven for many creative people of that time: actors of the Komissarzhevskaya Theater rehearsed here, symbolist poets gathered, and revolutionary-minded students dreamed of a bright future.

However, the relationship between Blok and Mendeleeva, which began as a ballad of knightly love and worship, turned into a painful psychological novel.

In 1904, in Moscow, Blok met Andrei Bely (Boris Bugayev), who became his "sworn friend": Bely was in love with Lyubov Mendeleeva.

At one point, their strange family life even formed a kind of love triangle: Alexander Blok, Lyubov Dmitrievna, and Andrei Bely. Anna Akhmatova once said that Lyubov Mendeleeva resembled "a hippopotamus standing on its hind legs," and "internally she was unpleasant, unfriendly, as if broken by something..." But for many poet friends, Blok’s wife became an object of admiration. Symbolists and mystics deified her, considering her pure and immaculate. Among those charmed by Mendeleeva was Blok’s close friend Andrei Bely. Soon he no longer just admired her as the Beautiful Lady but passionately loved her as an earthly woman. Mendeleeva reciprocated Bely’s feelings but was in no hurry to leave her husband. Bely could not bear the pangs of conscience and told his idol and friend Blok about his feelings for Mendeleeva, with Lyubov herself present during the conversation. According to Bely’s recollections, Blok only said: "Well... I’m glad..." The following year was agonizing for all participants of the love triangle: Mendeleeva was torn between two men, and they suffered from her indecision. The relationship between the poets finally broke down. But it was this oppressive situation that inspired Blok to write the play "The Little Booth," in which he told about his strange family situation. She, later recalling the romance with him, said: "I was thrown to the mercy of anyone who would court me." However, this was only half the truth. Lyubov Dmitrievna suffered, tossed between the call of reason and heart, returning to Blok and then again to Bely. In the end, she managed to break off the relationship, but every subsequent meeting with Andrei Bely was both a trial and a torment.

In 1909, Alexander Blok’s father and adopted son died — Lyubov Mendeleeva gave birth to his son by the actor Davidovsky. To recover from the shocks, the poet and his wife went on a trip to Italy and Germany. Based on impressions from the trip, Alexander Blok wrote the cycle "Italian Poems."

"Lyuba drove my mother to illness. Lyuba drove people away from me. Lyuba created all this unbearable complexity and tediousness of relationships... Lyuba spoiled so many years of my life, tormented me... Lyuba on earth is terrible, sent to torment and destroy earthly values. But — 1898-1902 did what I cannot part with her and love her," Blok confesses to himself in his notebook (February 18, 1910).

The joy-suffering stretched almost throughout the poet’s life. After Blok’s death, Lyubov Dmitrievna wrote memoirs, explanations, and justifications called "Both Truth and Fables about Blok and Myself." After reading them, A. A. Akhmatova cruelly and jealously said to her acquaintance: "To remain the Beautiful Lady, she was required to do only one thing: to keep silent!" (N. Ilyina, "Anna Akhmatova as I Saw Her").

Sources:

https://weekend.rambler.ru/places/38534485/?utm_content=weekend_media&utm_medium=read_more&utm_source=copylink

https://www.fiesta.ru/spb/routes/sem-mest-aleksandra-bloka-v-peterburge/

https://spb.aif.ru/culture/person/prekrasnaya_dama_isportila_zhizn_o_lyubvi_i_strasti_v_zhizni_aleksandra_bloka

 

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More stories from St. Petersburg of Alexander Blok

The poet's early childhood

Universitetskaya Embankment, 9, Saint Petersburg, Russia, 199034

In infancy, Blok lived and was raised in the family of his grandfather Andrey Beketov, a botanist and rector of St. Petersburg University.

Grenadier Regiment Barracks - Youth

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The poet Alexander Blok's mother divorces her husband and later marries the military officer Franz Kublicki-Piottukh. The family moves to the barracks of the Grenadier Regiment. From 1889 to 1906, Blok lives with his mother and stepfather in an apartment in the officers' barracks of the Life Guards Grenadier Regiment.

Gymnasium Period

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My mother took me to the gymnasium; for the first time in my life, from a cozy and quiet family, I found myself among a crowd of neatly cut and loudly shouting boys; I was unbearably scared of something, I would have gladly run away or hidden somewhere; but at the classroom door, though open, I felt an impassable boundary. They seated me at the front desk, right in front of the teacher’s podium, which was pushed up close to it and on which the Latin teacher was about to step any minute. I felt like a rooster whose beak had been chalked to the floor, and it remained bent and motionless, not daring to raise its head… *Confession of a Pagan.* A. Blok

Universities of the Bloc

Universitetskaya Embankment, 11, Saint Petersburg, Russia, 199034

The famous poet Alexander Blok graduated from Saint Petersburg University at the beginning of the 20th century. He started in the Faculty of Law but finished university as a student of Philology. In his letters, he sometimes mentioned the time he spent within the university walls. Like today's students who move from school to university, Alexander Blok was amazed by the freedom that higher education grants after the tedious rote learning in school. “At university, of course, it is much more interesting, and besides, there is a very strong feeling of freedom, which I, however, do not misuse and attend lectures diligently” (Letter to his father, 18.10.1898).

Nemetti Theater

39 Dekabristov St., Saint Petersburg, Russia, 190121

Modern residents of St. Petersburg associate Dekabristov Street exclusively with the Mariinsky Theatre. Numerous disputes and regrets remain in history about the demolished Palace of Culture of the Fifth Five-Year Plan, and even earlier, the building of the decoration workshops destroyed by fire, which has now been rebuilt into a Concert Hall. It was precisely on this site, listed on the city’s posters as Mariinsky-3, that the best theatrical venues and the most amazing park in the city once stood.

Blokovskaya "Stranger" - Ozerki Station

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“In the evenings above the restaurants, the hot air is wild and deaf…” Who isn’t familiar with these lines from the famous Blok poem *The Stranger*? Under the poem, there is a note: “April 24, 1906, Ozerki.” It is commonly believed that the poet wrote it in the station restaurant in Ozerki. But where exactly? In this popular summer suburb, there were two stations: one on the Finland railway line, the other on the Ozerki branch of the Primorskaya (Sestroretskaya) railway…

Poem Retribution

Malaya Monetnaya St., 12, Saint Petersburg, Russia, 197101

From 1910 to 1912, Alexander Blok lived here together with Lyubov Mendeleeva. Their four-room apartment No. 27 was located on the sixth, attic floor. The poet's study had a balcony, which has been preserved to this day.

The Last Address of Blok

57 Dekabristov St., Saint Petersburg, Russia, 190121

Died "from lack of air." A contemporary recalled: "They had just removed the plaster mask from his face. It was quiet and solemnly desolate... nearby, by the wall, stood Anna Akhmatova quietly weeping; by six o'clock the room was filled with those gathered for the memorial service. Anna Akhmatova lay dressed in the shroud of the deceased, with a gaunt, yellowish-pale face... In death, he lost the appearance of greatness and took on the visage of suffering and decay."

Two graves of Blok - the first is Smolensk Cemetery

Kamskaya St., 24, Saint Petersburg, Russia, 199178

Surprisingly, there are two graves of Alexander Blok in Saint Petersburg. Fans of the poet visit both of them, as no one is still certain where his remains are actually buried. Initially, Blok was buried at the Smolensky Orthodox Cemetery, alongside other family members. According to his will, the tombstone was made in the form of a simple wooden cross. In 1944, it was decided to move the grave to the Volkovo Cemetery, to the prestigious Literatorskie Mostki (Writers' Footsteps). Blok’s biographers never saw the point in this action, considering it unnecessary. The new burial site caused many discrepancies regarding where admirers of Blok’s work should make their pilgrimage. Historians claim that only the skull was moved to the Volkovo Cemetery, while the rest of the remains stayed in place. This version was confirmed by the art historian, academician Dmitry Likhachyov. Today, at the Literatorskie Mostki, one can see a beautiful memorial in the form of a black stele with the poet’s name and years of life. Fans love this place and willingly come to honor the memory of the outstanding Russian symbolist.

Two graves of Blok - the second is Volkovo Cemetery

Rasstannaya St., 30, Saint Petersburg, Russia, 192007

In 1944, it was decided to move the grave to the Volkovo Cemetery, to the prestigious Literatorskie Bridges. Block's biographers never saw the point in this action, considering it unnecessary. The new burial gave rise to many discrepancies regarding where fans of Block's work should make their pilgrimage. Historians claim that only the skull was moved to the Volkovo Cemetery, while the rest of the ashes remained in place. This version was confirmed by the art historian, academician Dmitry Likhachyov. Today, at the Literatorskie Bridges, one can see a beautiful memorial in the form of a black stele with the poet's name and years of life. Admirers love this place and willingly come to it to honor the memory of the outstanding Russian symbolist.

The Suicide Pharmacy of Blok

Chkalovskaya metro station, Admiral Lazarev Embankment, 24, BC "Trinity", Saint Petersburg, Russia, 197110

Night, street, lamp, pharmacy, Meaningless and dim light. Live for another quarter of a century — Everything will be the same. There is no way out.

Controversial monument to Blok

60 Dekabristov St., Saint Petersburg, Russia, 190121

In Saint Petersburg, on Dekabristov Street, a monument to Alexander Blok was unveiled. The bronze sculpture, 3.6 meters tall, was placed in the square near the house where the poet lived for nine years from 1912 to 1921. The authors of the sculpture are Evgeny Rotanov and architect Ivan Kozhin.