The Memorial Museum-Estate of Rimsky-Korsakov consists of two estates – Lyubensk

CJ23+84 Lyubensk, Pskov Oblast, Russia

The Lyubensk Estate is located 15 km from the Plyussa railway station. It is now the main memorial complex of the Rimsky-Korsakov Museum-Reserve. Rimsky-Korsakov first came to Lyubensk with his family for the summer in 1907, when he was 63 years old. They rented a house from Alexandra Viktorovna Bukharova, who by that time was considering selling the estate. This charming little place was loved by all family members. A typical small modest Russian estate with wooden residential houses and outbuildings (except for the stable, built from rough stone), it was established in the mid-19th century.

The Lyubensk Estate is located 15 km from the Plyussa railway station. It is now the main memorial complex of the Rimsky-Korsakov Museum-Reserve. Rimsky-Korsakov first came to Lyubensk with his family for the summer in 1907, when he was 63 years old. They rented a house from Alexandra Viktorovna Bukharova, who by that time was considering selling the estate. This charming place was very much liked by all family members. A typical small modest Russian estate with wooden residential houses and outbuildings (except for the stable building made of rough stone) was established in the mid-19th century.

By the end of the summer, the composer had agreed with the owner to purchase the estate. For 13,500 rubles, the Rimsky-Korsakov family acquired the house and 8 hectares of land. The following year, the composer's family came to their own summer residence. On this occasion, Nikolai Andreyevich wrote: “Mother and the children are busy with the household, and I watch and rejoice: how pleasant it is to have property, and such a wonderful one at that. No rented summer house can compare to one’s own!”

Its location on a high spot (more than 30 m above Lake Pesno) on a south-facing slope and the presence of trees of various species, including larches, lindens, and centuries-old oaks, allowed over 100 years ago the creation of a picturesque estate complex.

The compactly grouped Large House, Dacha, Family House, Stable, Aviary, Barn, Small House, and Icehouse formed part of the estate with a farmyard and an acacia circle with a surrounding path leading to the porch of the Large House. Three ponds — Oval, Mirror, and Small Lake — add to the picturesque charm of the entire estate.

The central composition consists of the Large House located at the highest point, the spacious flower garden spreading out before it, framed by gently curved alleys of lilac and acacia, and the Oval Pond with groups of oaks on the sides, down which the flower garden descends. On the same compositional axis, on the other side of the Large House, are the Main Gates of the estate and the acacia circle.

Local park compositions by the Mirror Pond with a bridge made of birch trunks over the stream flowing from the pond, a gazebo under an old linden tree, flower beds near the Dacha and the Small House — all these gave a special charm and coziness to the entire estate. The composer wrote: “The house stands on a relatively high place, a wonderful view of the lake, a huge garden, lilacs in abundance, and at this moment jasmine and fragrant peonies are blooming luxuriously.”

The Rimsky-Korsakov family dreamed of acquiring something similar for themselves so they would not have to look for a summer house every year. Nikolai Andreyevich, like Nadezhda Nikolaevna, had no inherited estates or capital. But after more than 40 years of intense work in music, Nikolai Andreyevich could afford to buy a small estate. Bukharova was in financial difficulty and wanted to sell her estate with a small piece of land. By the end of the summer, the composer agreed with the owner to buy the estate in the name of his younger children — Andrei, Vladimir, and Nadezhda. For 13,500 rubles, the Rimsky-Korsakovs received the house and 8 hectares of land. The following year, the composer's family already came to their own summer residence. On this occasion, Nikolai Andreyevich wrote: “Mother and the children are busy with the household, and I watch and rejoice: how pleasant it is to have property, and such a wonderful one at that. No rented summer house can compare to one’s own!”

The summer of 1907, spent by Nikolai Andreyevich in Lyubensk, was marked by an unusually intense composition of “The Golden Cockerel.” It was the last brilliant surge of his genius. The work proceeded feverishly fast, as if he feared not finishing it in time. His poor health, undermined by many years of intense work, forced him to hurry.

He completed his opera in Lyubensk, but he did not get to enjoy his estate for long. Moving there the following spring after a severe attack of cardiac asthma, Nikolai Andreyevich, despite the wonderful air and complete rest, never recovered from his illness. After a heart attack on the night of June 8 (21), 1908, Rimsky-Korsakov died in his house in Lyubensk. After the composer's death, the families of his children lived here, improving and preserving this place as a memory of their father and the great musician.

The main group of buildings of the Lyubensk estate includes: the Large House, the family house, the stable with a carriage house, and the icehouse. The interiors of the study, living room, and dining room have been recreated in the Large House. The Large House is located on a high spot, offering a magnificent panorama of Lake Pesno. In front of the house is a spacious parterre with a flower garden descending to the pond. The parterre paths are bordered by peony bushes, with a large central flower bed of fragrant tobacco. Three ponds — Oval, Mirror, and Small Lake — add to the picturesque garden-park composition. Around the Oval Pond grow 200-300-year-old oaks. Alleys of lilac and acacia border the parterre on both sides. Beyond the alleys lies a huge apple orchard.

Until 1920, Lyubensk was owned by the composer's family, but in the winter of 1920, the land of Lyubensk was taken over by a state farm: the alleys were cut down and partially uprooted, the house burned twice. Many houses were later dismantled, and the old park was also greatly damaged. The residential houses in Lyubensk were inhabited by the families of state farm workers, but there was no maintenance of the buildings.

The greatest damage to Lyubensk was inflicted at the end of the war from 1941 to 1944, when, upon the retreat of German troops from these areas, all the estate buildings were burned down. Only the stone stable and, fortunately, the foundations of almost all wooden structures survived in the estate.

The decision of the Ministry of Culture of the Russian Federation to create a unified Museum-Reserve on the territories of Lyubensk appeared more than 30 years ago (April 1967). Restoration of Lyubensk began only in 1980, when general project-restoration works for the Vekshacha-Lyubensk Museum-Reserve started, and over several years, projects for the restoration of all buildings and the estate park were developed.

The basis for these projects was documents from the Rimsky-Korsakov family archive, including more than a hundred photographs of Lyubensk from 1907-1913, as well as drawings made from memory by family members who remembered Lyubensk well, even down to small details of the exterior appearance of the houses, their interiors, and the park composition. The estate park was aimed to be preserved as it was during Nikolai Andreyevich’s time.

Interestingly, it was in Lyubensk and Vechasha that Pavel Lungin filmed his “Lilac Branch” about Rachmaninoff in 2006, and here in 2007 Igor Zaitsev shot scenes for the TV series “Saboteur. End of the War” (episode 4).


In July 2022, a fire broke out in Lyubensk during roof repairs. About half of the material valuables in the museum were saved. The building is currently sealed off and inaccessible.

Sources:

https://pskovkid.ru/muzej-usadba-n-a-rimskogo-korsakova/

https://museumpskov.ru/locations?slug=muzej_usadba_rimskogo-korsakova

https://ru.wikipedia.org/wiki/Memorial_Museum-Reserve_of_N._A._Rimsky-Korsakov

 

Follow us on social media

More stories from Great Composers: Nikolai Andreyevich Rimsky-Korsakov

Place of birth of Nikolai Andreyevich Rimsky-Korsakov

12 Rimsky-Korsakov St., Tikhvin, Leningrad Region, Russia, 187552

Tikhvin is the birthplace of the great Russian composer Nikolai Andreyevich Rimsky-Korsakov. He was born here, and here he took his first steps in music. Nikolai Andreyevich spent only 12 years in Tikhvin. But these were his early childhood years, when a person, often without realizing it, absorbs everything he sees, hears, and touches, when tastes, views, and character are formed... Much of what he saw and heard in Tikhvin later found reflection in his work – an interest in folk rituals and customs, in folk musical creativity, certain features of historical and fairy-tale works, maritime and starry themes, and unsurpassed soundscapes – all originating from his Tikhvin childhood.

Studies at the Naval Cadet Corps

Lieutenant Schmidt Embankment, 17, Saint Petersburg, Russia, 199034

In the noble family of the Rimsky-Korsakovs, naval service was a tradition – the boy’s great-great-grandfather was a rear admiral under Empress Elizabeth Petrovna, his uncle was a rear admiral, and later his older brother became one as well. And little Nika, who aspired to emulate him, entered the Naval Cadet Corps in Petersburg in 1956 at the age of 12. He studied with pleasure, easily, and tried to have grades no lower than 10 points (the maximum being 12 points).

The Mighty Handful

Nevsky Prospect, 33, St. Petersburg, Russia, 191186

In the building that once housed the City Duma and now hosts the Rimsky-Korsakov Music School, meetings of the Balakirev Circle—a fellowship of Russian composers founded by Mily Balakirev—were held in the 1860s. Later, thanks to an article by music critic Vladimir Stasov, the circle was renamed the "Mighty Handful": "How much poetry, feeling, talent, and skill there is in this small but already mighty handful of Russian musicians." The center of the musical and educational activities of this group of young composers was the Free Music School they established, the successor of which is the modern educational institution.

Professor at the Saint Petersburg Conservatory

Teatralnaya Square, 2, Saint Petersburg, Russia, 190000

In 1871, Nikolai Rimsky-Korsakov received an invitation to teach from the director of the Azanchevsky Conservatory and became a professor at the Saint Petersburg Conservatory, which would later bear his name. He taught classes in practical composition, theory of composition, and orchestration, and was the head of the orchestral class (1871–1908); a first-degree professor (1881), and an honored professor (1904–1908). During these years, he also began teaching at the Free Music School, which had been organized, and in 1874 he became its director. However, he soon realized that he lacked the knowledge necessary for teaching. Rimsky-Korsakov recalled: "What helped me was that none of my students at first could imagine that I knew nothing, and by the time they could start to figure me out, I had already learned quite a bit."

The Wedding Ceremony of Nadezhda Purgold and Nikolai Rimsky-Korsakov

37HX+F3 Vyborgsky District, Saint Petersburg, Russia

The wedding of Nadezhda Purgold and Nikolai Rimsky-Korsakov took place on June 30 (now this date can be remembered as July 12, according to the new style) 1872 in the Church of the Holy Apostles Peter and Paul, located in a picturesque spot — on a hill by a pond, in Shuvalov Park near Pargolovo. Architect Bryullov designed the building in the Gothic style, unusual for an Orthodox church. The elegant structure, whose construction took 10 years and was completed in 1841, was crowned with an openwork copper spire. It was lost during the Soviet era, along with much of the appearance of this remarkable church, cherished by the entire Rimsky-Korsakov family.

Smychkovo Estate - The Story of One Photograph

PXM4+FC Holiday Home "Luga", Leningrad Region, Russia

Silver Wedding Anniversary, or the Story of One Photograph

Work and Residence of Rimsky-Korsakov in the Court Singing Chapel

Bolshaya Konyushennaya St., 11, Saint Petersburg, Russia, 191186

In 1883, Mily Alexeyevich Balakirev was appointed director of the Court Singing Chapel, and his assistant was confirmed as Nikolai Andreyevich Rimsky-Korsakov. The latter taught the orchestral class at the music school and managed it so well that gradually the school's graduates became the leading musicians of the orchestra. The joint work of Balakirev and Rimsky-Korsakov over 10 years was an entire era in the development of performance, educational, and training activities in the Chapel.

Museum-Apartment of N.A. Rimsky-Korsakov

Zagorodny Prospekt, 28, Saint Petersburg, Russia, 191002

The Rimsky-Korsakov Apartment Museum is currently the only composer’s museum in Saint Petersburg. The museum is located in the five-story courtyard wing of house 28, apartment 39, where Rimsky-Korsakov lived with his family from 1893 until his final days in 1908. Here, 11 of the composer’s 15 operas were created, including *Sadko*, *The Tale of Tsar Saltan*, and *The Tsar’s Bride*.

The Memorial Museum-Estate of Rimsky-Korsakov consists of two estates – Vechasha

9HRJ+QP Lyubensk, Pskov Oblast, Russia

The Memorial Museum-Estate of Rimsky-Korsakov consists of two estates – Vechasha and Lyubensk – and represents a corner of wonderful Russian nature, inseparably connected with the life and work of one of the geniuses of Russian culture of the 19th-20th centuries, Nikolai Andreyevich Rimsky-Korsakov. Vechasha is located 14 km from the Plyussa railway station, 6 km from the Saint Petersburg–Kiev highway (at the 186th km from Saint Petersburg).

Grave of Nikolai Andreyevich Rimsky-Korsakov

pl. Alexander Nevsky, 1zh, Saint Petersburg, Russia, 191167

Marble cross with relief modeled after Novgorod tombstones. Artist Roerich, sculptor Andreoletti. The ashes and monument were transferred from the Novodevichy Cemetery in 1936.