Tsar bathtub

Krasnoselskoe Highway, 85, Saint Petersburg, Russia, 196603

This work by a Russian artist deserves even more attention, as since the time of the Egyptians nothing so colossal made of granite is known.

Three versts from Tsarskoye Selo near the village of Babolovo, for Catherine II’s new favorite Prince Potemkin, in 1775 architect Neelov built a secluded stone dacha in the English Gothic style with a bathhouse, which was equipped with a round marble-lined bathtub 3.5 meters in diameter.

According to rumors, the bath served cosmetic purposes (bathing Catherine II in goat’s milk), as well as love and occult purposes. There is also a legend that the future Emperor Alexander I was baptized in the marble bathtub. The bathhouse was supplied by a 16-kilometer gravity-fed water pipeline from the Taitsy springs (considered healing), designed by General-Lieutenant von Bauer and engineer Colonel Gerard. The pipeline also fed the ponds of the park in Tsarskoye Selo, and its construction lasted from 1773 to 1787. The decoration of the dacha in Babolovo was so luxurious that it came to be called a “palace.” Around the Babolovo Palace, a park in the English landscape style was laid out. After Prince Potemkin died, the Babolovo estate began to fall into neglect.

In 1814, the palace was completely restored by architect Ruska. And between 1811 and 1818, by order of Emperor Alexander I and according to the design of engineer Betancourt, a unique granite pool was made for the palace bathhouse by St. Petersburg stonemason Samson Sukhanov from a monolithic granite block, later named the Tsar Bath.


To find a suitable stone of enormous size, without cracks or “flaws,” the master went to the Finnish islands. On the island of Sumari, a huge granite block weighing about 10,000 poods was found and transported by water to Petersburg. Samson Sukhanov and his assistants worked for seven years on carving, hewing, grinding, and polishing the bath. The work required precise calculation of both proportions and wall thickness, capable of withstanding the weight of the water-filled basin. In May 1818, the finished bath was transported and installed in the Babolovo bathhouse. Made of red Finnish rapakivi granite, the bath-pool weighed 3,000 poods and held 800 buckets of water.

In 1818, the journal “Otechestvennye Zapiski” reported: “Finally, Sukhanov completed this summer a magnificent, unique bath for the Babolovo bathhouse. It is 2 arshins 12 vershoks high, 2 arshins 4 vershoks deep, and 7 and a half arshins in diameter. Many Petersburg residents traveled specially to see this work of the Russian sculptor. Foreigners did not want to believe that Sukhanov was capable of producing this marvel of sculpture or sculptural art, which is all the more praiseworthy and glorious for him because he did not add a single kopeck to the price offered to him for a similar bath made of four parts!”

The miracle bath caused universal admiration among contemporaries and “approval from experts in this field.” History professor Yakovkin considered the granite bath “the first of its kind in the world,” and professor Zembnitsky wrote: “This work of the Russian artist deserves special attention, since since the time of the Egyptians nothing so colossal made of granite is known.” The result was a polished granite bath: height 196 centimeters, depth 152 centimeters, diameter 533 centimeters, weight 48 tons. Data on displacement is 8,000 buckets, according to calculations — 12 tons of water. At the same time, the masters demonstrated an amazing sense of the stone. The minimum wall thickness of the basin is 45 centimeters, which allows it to withstand the pressure of the multi-ton mass of water, but at the same time is the limit for fragile granite.

After the stone-cutting work was completed, walls were erected around the bath — an octagonal tower. Along the perimeter of the room, iron walkways with railings, descents, and observation platforms were installed on brackets.

Most likely, after the main work was completed, due to the death of Alexander I, the heirs refused to arrange the pool, deciding instead to display the bath as a piece of stone-cutting art. Thus, like the “Tsar Cannon” and the “Tsar Bell,” the “Tsar Bath” was never used for its intended purpose.

According to the memoirs of General Richter, manager of the Imperial Main Headquarters, choral singing was held in the “Tsar Bath” of the Babolovo Palace, enjoying the unusual resonance of the giant basin and the boundless amazement of guests who could not understand where the singing choir was located.

Sources:

https://kudago.com/spb/place/car-vanna/

http://dom.dacha-dom.ru/tsar-vanna.shtml

https://pikabu.ru/story/zagadka_tsarvannyi_3946789

Follow us on social media

More stories from Samson Sukhanov: Master of Stonework

Secrets of the Alexander Column

Palace Square, 6, Saint Petersburg, Russia, 191186

The Alexander Column, which stands in the middle of Palace Square, was erected to commemorate the victory over the French in 1812.

House of the Master of Stone Works

nab. reki Pryazhki, 50, Saint Petersburg, Russia, 190121

In a quiet corner of historic Petersburg, on the embankment of the Pryazhka River, stands house No. 50.

House of the Stoneworks Master

nab. reki Pryazhki, 50, Saint Petersburg, Russia, 190121

In a quiet corner of historic Petersburg, on the embankment of the Pryazhka River, stands house No. 50.

Voronikhin Colonnades of Peterhof

Razvodnaya St., 2, Saint Petersburg, Russia, 198510

How bright, how emerald-dark In the shade of its dense gardens, And how sparkling, and how transparent Is the water-dripping Peterhof.” P.A. Vyazemsky

Saw tower

Krasnogo Molodtsa, Saint Petersburg, Russia, 196625

The Saw Tower is one of the poetic pavilions in the park, designed in a pastoral-romantic style. The pavilion was a tribute to the fashion of its time and served as a place for brief rest during a long walk through the park.

Saw Tower

Krasnogo Molodtsa, Saint Petersburg, Russia, 196625

The Saw Tower is one of the poetic pavilions in the park, designed in a pastoral-romantic style. The pavilion was a tribute to the fashion of its time and served as a place for brief rest during a long walk through the park.

The Hanging Garden and the Stairway of the Gods in Tsarskoye Selo

Catherine Park / Catherine Park, Saint Petersburg, Russia, 196601

An unusual monument of classical architecture, resembling the romantic ruins of an ancient Roman bridge

Kazan Cathedral - import substitution

Kazan Square, 2, Saint Petersburg, Russia, 191186

This marks the beginning of the golden period of Russian architecture, and Petersburg finally takes on the appearance of the capital of a great empire. Nevsky Prospect becomes not just a "perspective." One of the largest cathedrals in Saint Petersburg. Built on Nevsky Prospect between 1801 and 1811 by architect Andrey Voronikhin in the style of Russian classicism to house the revered copy of the miraculous icon of the Kazan Mother of God. After the Patriotic War of 1812, it gained significance as a monument to Russian military glory. In 1813, the commander Mikhail Illarionovich Kutuzov was buried here, and the keys to captured cities and other military trophies were placed inside. The cathedral gave its name to Kazanskaya Square, Kazanskaya Street, Kazansky Island in the Neva delta, and the Kazansky Bridge at the intersection of Nevsky Prospect and the Griboedov Canal.

Physical Cabinet or Masonic Sanctuary of Count Stroganov

Nevsky Ave., 17, Saint Petersburg, Russia, 191186

Doctor of Historical Sciences, Professor Kuznetsov, in the book *"The Stroganov Palace,"* suggested that besides the alchemical laboratory, a Masonic lodge gathered in this study. There was a Masonic sanctuary, and the Commission for the Construction of the Kazan Cathedral held its meetings there.

Mountain building (school, institute)

Lieutenant Schmidt Embankment, 49, Saint Petersburg, Russia, 199034

The Mining School — the oldest higher technical educational institution in Saint Petersburg — was founded by the decree of Catherine II on October 21 (November 1), 1773.

Arrow of Vasilievsky Island

Birzhevaya Square, Saint Petersburg, Russia, 199034

The Strelka of Vasilyevsky Island is the calling card of Petersburg. Everyone who falls under the charm of this place loves to take photos near the huge granite spheres crowning the descents to the water. The eastern tip of the Strelka was decorated by architect de Thomon with a descent to the Neva and adorned with elegant, gently sloping granite ramps. Flowing smoothly around the Rostral Columns, they descend right to the water. At the very water’s edge, on pedestals, rest stone spheres astonishing in their perfection. It is said that master stonemason Samson Xenofontovich Sukhanov carved these geometrically precise spheres by eye, without using any measuring instruments and almost with a single strike.

Admiralty Needle

Admiralteysky Lane, 1, Saint Petersburg, Russia, 190195

The Admiralty in Saint Petersburg is one of the most famous and beautiful landmarks of the Northern capital.

The House with Lions – An Introduction to Monferrand

1 Voznesensky Ave, Saint Petersburg, Russia, 190000

The first completed building by Monferrand in the Russian capital was the Lobanov-Rostovsky House, or the House with Lions, on Admiralty Prospect. It was during the construction of this house that Samson Sukhanov met the future creator of St. Isaac's Cathedral.

House with Lions – Introduction to Monferrand

1 Voznesensky Ave, Saint Petersburg, Russia, 190000

The first completed building by Monferrand in the Russian capital was the Lobanov-Rostovsky House, or the House with Lions, on Admiralty Prospect. It was during the construction of this house that Samson Sukhanov met the future creator of St. Isaac's Cathedral.

St. Isaac's Cathedral - the beginning of the ruin of the master stoneworker

Isaakievskaya Square, 4, Saint Petersburg, Russia, 190000

Sukhanov delivered only eleven columns; the commission for the construction of St. Isaac's Cathedral awarded the contract for the manufacture of the remaining columns to Arkhip Shikhin, violating the agreement with Sukhanov and thereby causing him irreparable losses. The construction of the cathedral was completed in 1858. In the same year, Auguste Montferrand passed away. Samson Sukhanov was unable to fulfill several contracts and went bankrupt. The master died in obscurity and poverty even before the completion of the cathedral's construction.

St. Isaac's Cathedral - the beginning of the ruin of the master of stonework

Isaakievskaya Square, 4, Saint Petersburg, Russia, 190000

Sukhanov delivered only eleven columns; the commission for the construction of St. Isaac's Cathedral awarded the contract for the manufacture of the remaining columns to Arkhip Shikhin, violating the agreement with Sukhanov and thereby causing him irreparable losses. The construction of the cathedral was completed in 1858. In the same year, Auguste Montferrand passed away. Samson Sukhanov was unable to fulfill several contracts and went bankrupt. The master died in obscurity and poverty even before the completion of the cathedral's construction.

The Benefactor Husband or The Mausoleum of Paul I

Saint Petersburg, Russia, 196625

The Mausoleum of Paul I is not the emperor’s tomb. Paul I, like all members of the imperial family, is buried in the Peter and Paul Cathedral in Saint Petersburg. In one of her letters, Empress Maria Feodorovna refers to it as a "Monument," and in the contract with the architect Carlo Domenico Visconti, she calls it a "Temple." The modern name is "To the Benefactor-Spouse" or "Mausoleum of Paul I."

Fountain "Four Sphinxes" or "Four Witches"

Pulkovskoye Highway, 74, Saint Petersburg, Russia, 196140

At the corners of the rectangular pedestal stood sphinxes, which had "the body of a lion and the head and chest of a girl." Many architects believed that "in terms of originality and artistic value, the Tomonovsky fountain with sphinxes near Pulkovo Hill is unparalleled." The sphinxes were also made of granite; earlier they appeared to be bronze, then, when they turned green from dampness and were covered with moss, the locals nicknamed them the "Fountain of Witches" or the "Four Witches." Now they have been cleaned, but the name has stuck.

Molvinskaya Column

Liflyandskaya St., 12, Saint Petersburg, Russia, 198099

At the entrance to Yekateringof Park stands a six-meter column made of red granite—a work by Auguste Montferrand. On the grounds of the current 19th-century St. Petersburg park "Yekateringof," the only preserved monument is the six-meter Molvinskaya Column, located on the right bank of the Tarakanovka near the Molvinsky Bridge. The monument appeared on the territory of Yekateringof Park in the summer or early autumn, but no later than November 1824.

Rostral Columns

Birzhevaya Square, 1 building 2, Saint Petersburg, Russia, 199034

One of the symbols of Saint Petersburg is an integral part of the ensemble of the Spit of Vasilievsky Island. Two rostral columns were erected between 1805 and 1810 according to the design of the French architect Thomas de Thomon, who decorated them with ship prows on both sides of Vasilievsky Island.