Petersburg: In the Footsteps of the Masons

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The fascination with Freemasonry has left a significant mark on Russian history and is reflected in the architecture of the Northern capital. There are many places here associated with the Freemasons.

Physical Cabinet or Masonic Sanctuary of Count Stroganov

Nevsky Ave., 17, Saint Petersburg, Russia, 191186

Doctor of Historical Sciences, Professor Kuznetsov, in the book *"The Stroganov Palace,"* suggested that besides the alchemical laboratory, a Masonic lodge gathered in this study. There was a Masonic sanctuary, and the Commission for the Construction of the Kazan Cathedral held its meetings there.

Pavilion under the Flag or Rotunda – The Visit of Cagliostro

Primorsky Ave., 32A, Saint Petersburg, Russia, 197183

The meetings of the Freemasons took place in the "Rotunda" pavilion (the pavilion under the flag), one of the buildings of the Yelagin Palace complex. In the pavilion, during the visit of the famous magician and sorcerer Count Cagliostro, a ritual of initiation into the Egyptian-style Masonic lodge was held.

Pavilion under the flag or Rotunda – the visit of Cagliostro

Primorsky Ave., 32A, Saint Petersburg, Russia, 197183

The meetings of the Freemasons took place in the "Rotunda" pavilion (the pavilion under the flag), one of the buildings of the Yelagin Palace complex. In the pavilion, during the visit of the famous magician and sorcerer Count Cagliostro, a ritual of initiation into the Egyptian-style Masonic lodge was held.

The Origins of Russian Freemasonry

Bolshaya Morskaya St., 38, Saint Petersburg, Russia, 190000

In the mansion of Elagin on Bolshaya Morskaya, the Masonic "Lodge of the Muses" was originally held, in which Ivan Perfilievich was listed as the "master of the chair" (magister).

Pavilion of the Eagle or Temple

H493+PP Gatchina, Leningrad Oblast, Russia

The Eagle Pavilion (or the Temple, from *temple* — temple), also known as the Round Gazebo, but later the commonly used name became the Eagle Pavilion, is considered a kind of sanctuary dedicated to the emperor. It is possible that the interpretation of this structure as a temple was due to the fact that Paul I was the Grand Master of the Maltese Order, or the pavilion was originally conceived as a temple of the arts under the patronage of the emperor, but its decoration was never completed. The author of the pavilion project was presumably Vincenzo Brenna. The date of the pavilion’s construction is unknown; it is first mentioned in 1792 as an already existing structure.