Rostral Columns

Birzhevaya Square, 1 building 2, Saint Petersburg, Russia, 199034

One of the symbols of Saint Petersburg is an integral part of the ensemble of the Spit of Vasilievsky Island. Two rostral columns were erected between 1805 and 1810 according to the design of the French architect Thomas de Thomon, who decorated them with ship prows on both sides of Vasilievsky Island.


The Rostral Columns—one of the symbols of Saint Petersburg—are an integral part of the ensemble at the Spit of Vasilievsky Island. Two rostral columns were erected between 1805 and 1810 according to the design of the French architect Thomas de Thomon, who adorned them with ship rostra on both sides of Vasilievsky Island. This embodiment symbolizes the power and grandeur of the state’s naval fleet and also refers to the ancient Roman custom of decorating columns with rostra (from the Latin rostra, plural of rostrum, meaning the prow of a ship) of defeated (trophy) enemy ships. The two monumental Doric order columns are installed at the descent to the Neva River, flanking the semicircular square in front of the Exchange building. They were intended to serve as beacons while simultaneously emphasizing the importance of the Exchange building as the center of the Saint Petersburg port. The Rostral Columns also stand as a monument to Russia’s naval glory.

The famous stonemason Samson Sukhanov, who came from a poor peasant family in the Vologda province, also worked on the project. The statues of sea deities at the base of the columns were created by sculptors Joseph Camberlain and Jacques Thibault. The opening took place in 1815. The lanterns were lit at night and in fog and served until 1885. In 1925, the columns underwent restoration. There is no consensus on the identification of the figures at the base of the Rostral Columns. The claim that they represent allegorical images symbolizing four Russian rivers (at the southern column—“Volkhov” and “Neva,” at the northern—“Dnieper” and “Volga”) is not supported by documents and appeared relatively recently. Thomas de Thomon himself wrote that “the base of each column is decorated with enormous figures symbolizing the gods of the sea and commerce.” The attributes of the sculptures are quite sparse, and none can confirm or completely refute the version that these are allegories of four specific rivers. Only the thematic harmony with the sculptural decoration of the Exchange and some attributes support this point of view—one of the male figures tightly holds a steering oar in his right hand, while his left rests on a vessel from which water flows. The man at the second column leans with his left hand on a lot. Both women are depicted with maritime attributes; one of them also holds a cornucopia filled with fruit.


The southern lantern points the way to the Great Neva, and the northern to the Small Neva. At the base of the columns are two male and two female figures, which, according to a widespread hypothesis, allegorically represent the great rivers of Russia: at the northern column—Volga and Dnieper, at the southern—Neva and Volkhov. However, this hypothesis arose relatively recently and lacks justification; Thomas de Thomon himself wrote: “the base of each column is decorated with enormous figures symbolizing the gods of the sea and commerce.” The statues were made based on models by the Flemish sculptor Joseph Camberlain and the Frenchman Jacques Thibault. Bronze was initially chosen as the material for the sculptures, but due to the difficulty of working with it, the choice fell on Pudost limestone, quarried in the village of Pudost in the Gatchina district. Soft and elastic underground, the limestone quickly hardens after extraction, creating a strong and majestic base. Camberlain created the male figure at the northern column; the rest were made by Thibault.

Inside each column is a spiral staircase leading to the upper observation deck with a huge bowl-shaped lantern. Until 1896, hemp oil was poured into the bowl, producing a fiery column of flame that guided ships through the darkness of night or fog. Later, this lighting method was rarely used “due to its great consumption.” In 1957, gas was connected to the lanterns, and now, in our days, they are lit only on especially solemn occasions.


The columns are not fixed by any anchors and stand by their own weight. The height of the columns is 32 meters. On the night of June 7, 2011, the southern Rostral Column was opened by unknown persons who attempted to enter inside; the architectural monument was not damaged.

On the night of August 23, 2011, an unknown man entered one of the rostral columns, opened the valve of the gas pipeline, and set it on fire. According to law enforcement agencies, the fire brigade that arrived at the scene shut off the pipeline and extinguished the flame. No one was injured as a result of the incident.

Sources:

https://ru.wikipedia.org/wiki/Rostral_Columns_(Saint_Petersburg)

https://www.citywalls.ru/house27663.html

 

 

Follow us on social media

More stories from Samson Sukhanov: Master of Stonework

Secrets of the Alexander Column

Palace Square, 6, Saint Petersburg, Russia, 191186

The Alexander Column, which stands in the middle of Palace Square, was erected to commemorate the victory over the French in 1812.

House of the Master of Stone Works

nab. reki Pryazhki, 50, Saint Petersburg, Russia, 190121

In a quiet corner of historic Petersburg, on the embankment of the Pryazhka River, stands house No. 50.

House of the Stoneworks Master

nab. reki Pryazhki, 50, Saint Petersburg, Russia, 190121

In a quiet corner of historic Petersburg, on the embankment of the Pryazhka River, stands house No. 50.

Voronikhin Colonnades of Peterhof

Razvodnaya St., 2, Saint Petersburg, Russia, 198510

How bright, how emerald-dark In the shade of its dense gardens, And how sparkling, and how transparent Is the water-dripping Peterhof.” P.A. Vyazemsky

Saw tower

Krasnogo Molodtsa, Saint Petersburg, Russia, 196625

The Saw Tower is one of the poetic pavilions in the park, designed in a pastoral-romantic style. The pavilion was a tribute to the fashion of its time and served as a place for brief rest during a long walk through the park.

Saw Tower

Krasnogo Molodtsa, Saint Petersburg, Russia, 196625

The Saw Tower is one of the poetic pavilions in the park, designed in a pastoral-romantic style. The pavilion was a tribute to the fashion of its time and served as a place for brief rest during a long walk through the park.

The Hanging Garden and the Stairway of the Gods in Tsarskoye Selo

Catherine Park / Catherine Park, Saint Petersburg, Russia, 196601

An unusual monument of classical architecture, resembling the romantic ruins of an ancient Roman bridge

Kazan Cathedral - import substitution

Kazan Square, 2, Saint Petersburg, Russia, 191186

This marks the beginning of the golden period of Russian architecture, and Petersburg finally takes on the appearance of the capital of a great empire. Nevsky Prospect becomes not just a "perspective." One of the largest cathedrals in Saint Petersburg. Built on Nevsky Prospect between 1801 and 1811 by architect Andrey Voronikhin in the style of Russian classicism to house the revered copy of the miraculous icon of the Kazan Mother of God. After the Patriotic War of 1812, it gained significance as a monument to Russian military glory. In 1813, the commander Mikhail Illarionovich Kutuzov was buried here, and the keys to captured cities and other military trophies were placed inside. The cathedral gave its name to Kazanskaya Square, Kazanskaya Street, Kazansky Island in the Neva delta, and the Kazansky Bridge at the intersection of Nevsky Prospect and the Griboedov Canal.

Physical Cabinet or Masonic Sanctuary of Count Stroganov

Nevsky Ave., 17, Saint Petersburg, Russia, 191186

Doctor of Historical Sciences, Professor Kuznetsov, in the book *"The Stroganov Palace,"* suggested that besides the alchemical laboratory, a Masonic lodge gathered in this study. There was a Masonic sanctuary, and the Commission for the Construction of the Kazan Cathedral held its meetings there.

Mountain building (school, institute)

Lieutenant Schmidt Embankment, 49, Saint Petersburg, Russia, 199034

The Mining School — the oldest higher technical educational institution in Saint Petersburg — was founded by the decree of Catherine II on October 21 (November 1), 1773.

Arrow of Vasilievsky Island

Birzhevaya Square, Saint Petersburg, Russia, 199034

The Strelka of Vasilyevsky Island is the calling card of Petersburg. Everyone who falls under the charm of this place loves to take photos near the huge granite spheres crowning the descents to the water. The eastern tip of the Strelka was decorated by architect de Thomon with a descent to the Neva and adorned with elegant, gently sloping granite ramps. Flowing smoothly around the Rostral Columns, they descend right to the water. At the very water’s edge, on pedestals, rest stone spheres astonishing in their perfection. It is said that master stonemason Samson Xenofontovich Sukhanov carved these geometrically precise spheres by eye, without using any measuring instruments and almost with a single strike.

Tsar bathtub

Krasnoselskoe Highway, 85, Saint Petersburg, Russia, 196603

This work by a Russian artist deserves even more attention, as since the time of the Egyptians nothing so colossal made of granite is known.

Admiralty Needle

Admiralteysky Lane, 1, Saint Petersburg, Russia, 190195

The Admiralty in Saint Petersburg is one of the most famous and beautiful landmarks of the Northern capital.

The House with Lions – An Introduction to Monferrand

1 Voznesensky Ave, Saint Petersburg, Russia, 190000

The first completed building by Monferrand in the Russian capital was the Lobanov-Rostovsky House, or the House with Lions, on Admiralty Prospect. It was during the construction of this house that Samson Sukhanov met the future creator of St. Isaac's Cathedral.

House with Lions – Introduction to Monferrand

1 Voznesensky Ave, Saint Petersburg, Russia, 190000

The first completed building by Monferrand in the Russian capital was the Lobanov-Rostovsky House, or the House with Lions, on Admiralty Prospect. It was during the construction of this house that Samson Sukhanov met the future creator of St. Isaac's Cathedral.

St. Isaac's Cathedral - the beginning of the ruin of the master stoneworker

Isaakievskaya Square, 4, Saint Petersburg, Russia, 190000

Sukhanov delivered only eleven columns; the commission for the construction of St. Isaac's Cathedral awarded the contract for the manufacture of the remaining columns to Arkhip Shikhin, violating the agreement with Sukhanov and thereby causing him irreparable losses. The construction of the cathedral was completed in 1858. In the same year, Auguste Montferrand passed away. Samson Sukhanov was unable to fulfill several contracts and went bankrupt. The master died in obscurity and poverty even before the completion of the cathedral's construction.

St. Isaac's Cathedral - the beginning of the ruin of the master of stonework

Isaakievskaya Square, 4, Saint Petersburg, Russia, 190000

Sukhanov delivered only eleven columns; the commission for the construction of St. Isaac's Cathedral awarded the contract for the manufacture of the remaining columns to Arkhip Shikhin, violating the agreement with Sukhanov and thereby causing him irreparable losses. The construction of the cathedral was completed in 1858. In the same year, Auguste Montferrand passed away. Samson Sukhanov was unable to fulfill several contracts and went bankrupt. The master died in obscurity and poverty even before the completion of the cathedral's construction.

The Benefactor Husband or The Mausoleum of Paul I

Saint Petersburg, Russia, 196625

The Mausoleum of Paul I is not the emperor’s tomb. Paul I, like all members of the imperial family, is buried in the Peter and Paul Cathedral in Saint Petersburg. In one of her letters, Empress Maria Feodorovna refers to it as a "Monument," and in the contract with the architect Carlo Domenico Visconti, she calls it a "Temple." The modern name is "To the Benefactor-Spouse" or "Mausoleum of Paul I."

Fountain "Four Sphinxes" or "Four Witches"

Pulkovskoye Highway, 74, Saint Petersburg, Russia, 196140

At the corners of the rectangular pedestal stood sphinxes, which had "the body of a lion and the head and chest of a girl." Many architects believed that "in terms of originality and artistic value, the Tomonovsky fountain with sphinxes near Pulkovo Hill is unparalleled." The sphinxes were also made of granite; earlier they appeared to be bronze, then, when they turned green from dampness and were covered with moss, the locals nicknamed them the "Fountain of Witches" or the "Four Witches." Now they have been cleaned, but the name has stuck.

Molvinskaya Column

Liflyandskaya St., 12, Saint Petersburg, Russia, 198099

At the entrance to Yekateringof Park stands a six-meter column made of red granite—a work by Auguste Montferrand. On the grounds of the current 19th-century St. Petersburg park "Yekateringof," the only preserved monument is the six-meter Molvinskaya Column, located on the right bank of the Tarakanovka near the Molvinsky Bridge. The monument appeared on the territory of Yekateringof Park in the summer or early autumn, but no later than November 1824.