Vurgaft's Dacha (Blue Dacha)

Krestovka River Embankment, 2, Saint Petersburg, Russia, 197376

The mansion of M. A. Vurgaft is also known as the "Blue Dacha." The architect was Moisey Markovich Sinyaver, and it was built in 1913-1914. In the summer of 1916, the interiors of the mansion were painted by the artist-decorator P. Maksimovich. On the pylons of the central oval hall, he depicted dancing female figures — Evening, Morning, Day, Night.

The plots along the Malaya Nevka and Krestovka rivers were formed at the beginning of the 19th century. One of them was acquired in 1811 by the wife of merchant Ritter. A wooden one-story dacha with a mezzanine was built here, and a garden was laid out. In 1852, the plot passed from Ritter’s heirs to the wife of Colonel Zeidlitz. In 1871, the dacha was purchased and expanded by commercial counselor Vargunin. Under the new owner, actual state councilor Bazilevsky, the territory was divided into three parts in 1892, with the eastern part going to merchant Dembot.
In 1912, the plot was acquired by the wife of lawyer and state councilor Vurgaft. For her, architect Sinyaver built a stone two-story house in 1913-1914.
With simple, precise means, Sinyaver created an architectural image that conformed to the norms of strict classicism. The Palladian composition of the main part of the mansion is strictly symmetrical and centered. The clear monumental volume is topped with a gentle dome. On the northern facade, a four-column Ionic order portico with a pediment projects forward. It is echoed by a portico of three-quarter columns on the eastern side. To the south, facing the Krestovka River, are a semicircular terrace and a glazed projection. The building’s plinth is clad in granite, terraces are surrounded by balustrades, and the walls are decorated with bas-reliefs. The main cubic volume of the mansion adjoins a western wing, which somewhat disrupts the symmetrical scheme. The interior design also follows classical models. At the center of the building is a tall round hall with a dome and a gallery running around it on the second-floor level. Four niches with hemispherical conches dividing the walls are decorated with painted inserts featuring allegorical depictions of times of day by artist Maksimovich. Adjacent to the hall on the first floor is a spacious rectangular dining room with access to the terrace. Two identical plaster bas-reliefs with antique themes complement the interior decoration. On either side of the central hall are living rooms. Near the entrance is a large square living room, the ceiling of which was also painted by Maksimovich in the summer of 1916. It represents an unexpectedly bold, almost grotesque stylization of classicist motifs. On the second floor are living quarters with exits facing the gallery of the round hall.
Before the revolution, the Blue Dacha was rented by Dmitry Lvovich Rubinstein, a St. Petersburg banker, stock exchange dealer, and close associate of Rasputin. During the New Year holidays, he invited poor children from Kamenny Island to a Christmas tree event where he organized performances and gave out gifts and sweets. In 1916, Rubinstein was arrested on suspicion of espionage.
In 1918, by decision of the Petrograd Soviet, the mansion was nationalized and handed over to a children’s colony. Later, it housed one of the first rest homes for workers. From the early 1930s until the end of the 20th century, it served as the residence of the Leningrad Executive Committee. Currently, as it was a hundred years ago, the walls of the building are blue, although it is now enclosed by a solid wall.

Sources:
https://www.spb-guide.ru/osobnyak-vurgafta-golubaya-dacha.htm
https://www.citywalls.ru/house2490.html

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More stories from Petersburg: Mansions and Summer Houses of Kamenny Island

Dacha of E. L. Leonova (Apraksin House)

13 Akademika Pavlova St., Saint Petersburg, Russia, 197022

In 1901, the old dacha located on this plot was transferred to the actress of the Imperial Theatres, Elizaveta Leonova, for whom the architect Anatoly Kovsharov built a lavish two-story mansion with a tower in 1902. The building has a compact plan, symmetrical facade composition, with an architectural design stylized in the forms of early classicism (the so-called "Louis XVI style") and Renaissance.

House of P. I. Goze (Sherman the Scarecrow's House)

Side Alley, 11, Saint Petersburg, Russia, 197376

On Kamenny Island, there are few historical houses left that have remained untouched since the 1990s. The house of Petr Goze, later rebuilt into the summer residence of Mrs. Orlova, is one of the vivid examples of the Art Nouveau era, when buildings were still constructed from wood.

Mansion of V. I. Shöne

Teatralnaya Alley, 3, Saint Petersburg, Russia, 197376

Schöne worked on the design of his own house from 1900 to 1903. Initially, his mansion was supposed to represent a complex compositional group united by the symbolic theme of the "temple of labor." The idea was inspired by the work of architect J.-M. Olbrich for the Darmstadt Artists' Colony (1901). However, Schöne's original concept was not realized, possibly due to its high cost. One of the buildings in the complex planned by Schöne was a small wing, which the architect redesigned into a mansion. The city council issued a permit for the construction of this house on May 30, 1903.

The Mansion of Countess Kleinmichel

nab. Krestovka River, 10, Saint Petersburg, Russia, 197110

The mansion of Countess Kleinmichel, a remarkable architectural monument, is located in the northwestern part of Kamenny Island, on the bank of the Krestovka River, a tributary of the Malaya Nevka, which separates Kamenny and Krestovsky Islands.

M. K. Kugusheva Mansion - B. M. Kustodiev Children's Art School

Side Alley, 1, Saint Petersburg, Russia, 197376

The dacha is located in the central part of Kamenniy Island. After the "highest" approval of the plan for dividing it into plots for lease in 1897, this area began to be intensively developed. In 1898, the widow of Staff Rotmistr Princess Kugusheva leased a plot between the Middle and Side alleys and the embankment of the Malaya Nevka River for 90 years. In the summer of the same year, construction began according to architect Preis's project of a two-story "large dacha," a temporary house, a stable, a janitor's house, and an icehouse, continuing until 1899.

Follenweider Mansion

Bolshaya Alley, 13, Saint Petersburg, Russia, 197376

At the beginning of the 20th century, Eduard Follenweider, a tailor and supplier to the Imperial Court, turned to Roman Meltzer — an architect who was building a house for himself nearby in this settlement — with a request to design a house for him. The building is the first and most striking example of Northern Art Nouveau. This style was actively developing at the time in St. Petersburg under the influence of Scandinavian architecture. In Follenweider’s house project, the architect used a complex combination of shapes and volumes, as well as finishing materials unusual for the region. Among the locals, due to the particularly prominent large tiled roof in the overall composition, the house quickly earned the nickname "Sugar Head."

Melzer Estate ("Baba Yaga's House," "Fairy Tale House") and the Dispute Associated with It

Polevaya Alley, 8, Saint Petersburg, Russia, 197376

At the beginning of the 20th century, the master of St. Petersburg Art Nouveau, Roman Fyodorovich Meltzer, decided to build his own house on Kamenny Island. From 1901, the architect's project underwent multiple changes, and in 1904 it was finalized. The Meltzer mansion, which can be seen from the Krestovka embankment, is one of the key monuments of northern Art Nouveau in St. Petersburg. When constructing the mansion, Meltzer used motifs of ancient Russian architecture and Russian national architecture. Undoubtedly, elements of Finnish national romanticism played a significant role in the appearance of the house. The walls made of roughly hewn stone, massive logs, and the high-rising pyramidal roof give the house a picturesque quality. The most attention is drawn to the gable roof, which becomes the defining part of the silhouette and soars upward.

Dacha Gauswald, the first Art Nouveau house in Russia

Bolshaya Alley, 14, Saint Petersburg, Russia, 197376

The Hauswald Dacha is one of the first buildings in the Art Nouveau style on Kamenniy Island, designed by the then-popular young architects Vladimir Chagin and Vasily Shene. It gained recognition across the Soviet Union and even abroad after the release of the film *The Adventures of Sherlock Holmes and Dr. Watson*, as this building "played" the role of Irene Adler's house. Additionally, it appeared in the films *Don Cesar de Bazan*, *The Bat*, *Without Family*, and *Maritza*.

The Summer House of Prince Oldenburg (Dolgorukov's Summer House)

nab. Malaya Nevka River, 11, Saint Petersburg, Russia, 197376

The Oldenburg Dacha (also known as the Dolgorukov Dacha; Saint Petersburg, Malaya Nevka Embankment, 11) is one of the most important structures on Kamenny Island, a monument of wooden architecture from the era of Russian classicism, built in 1831–1833 by the architect S. L. Shustov.

Dacha of P. S. Petrova

Embankment of the Malaya Nevka River, 12, Saint Petersburg, Russia, 197376

The wooden summer house of P. S. Petrova, the wife of a hereditary honorary citizen, was built in the 1880s by the Oranienbaum court architect G. A. Preis. Originally, the summer house was surrounded by a fence. During the Soviet era, communal apartments were located here. In 1995, the building was reconstructed as a holiday resort. The summer house was restored in 2004 (a brick frame with wooden cladding was built) and adapted into a hotel.

The mansion of V.N. Yakovenko, "Professor's House"

Petrogradskaya Embankment, building 34, lit. B, room 1-N, office 514, Saint Petersburg, Russia, 197376

A two-story building designed in the style of French Gothic and Renaissance. The professor's house is connected by a passage to the building of the Saint Petersburg Marine Fisheries College.

Mansion of A. L. Stieglitz - Dacha of A. A. Polovtsev

nab. Sredney Nevki River, 6, Saint Petersburg, Russia, 197183

The Dacha of A. A. Polovtsov is the palace of the diplomat Alexander Polovtsov on Kamenny Island in Saint Petersburg, built between 1912 and 1916 according to a design by Ivan Fomin. It is a prime example of Russian neoclassicism of the early 20th century.

His Imperial Majesty's Own Dacha (Old Dacha)

Krestovka River Embankment, 7, Saint Petersburg, Russia, 197376

His Imperial Majesty's Own Dacha on Kamenniy Island is a monument of wooden architecture from the Classicism period.

New Dacha (Ministerial)

Krestovka River Embankment, 11, Saint Petersburg, Russia, 197376

Next to the old dacha (Krestovka Embankment, 7), according to the project of architect Charlemagne, the building of the New Dacha was erected in 1836-1838. After the completion of construction in 1838, the dacha became known as the New Dacha, then Mariinskaya. Since the second half of the 19th century, it has been called the Ministerial Dacha.

Kamennoostrovsky Theatre

Staroho Teatra Square, 13, Saint Petersburg, Russia, 197110

The Kamennoostrovsky Theatre is the only surviving monument of wooden architecture from the Classicism era in Saint Petersburg. The building was constructed in 1827 based on a design by architect Shustov. Since 2005, the Kamennoostrovsky Theatre has been part of the stage complex of the Bolshoi Drama Theatre.