Mansion of V. I. Shöne

Teatralnaya Alley, 3, Saint Petersburg, Russia, 197376

Schöne worked on the design of his own house from 1900 to 1903. Initially, his mansion was supposed to represent a complex compositional group united by the symbolic theme of the "temple of labor." The idea was inspired by the work of architect J.-M. Olbrich for the Darmstadt Artists' Colony (1901). However, Schöne's original concept was not realized, possibly due to its high cost. One of the buildings in the complex planned by Schöne was a small wing, which the architect redesigned into a mansion. The city council issued a permit for the construction of this house on May 30, 1903.
Soon after building the Gauswald dacha, architect Schene decided to erect his own house on Kamenniy Island. In 1900, he submitted a request for a long-term lease of a plot of land on the northern side of the Grand Canal, near the Gauswald dacha. The construction site was chosen on the shore of a picturesque pond. As one of the pioneers of St. Petersburg Art Nouveau, Schene had the opportunity to most fully express the ideas of the new style when creating his own mansion. A small wing of this project, in a modified form, turned into the existing mansion. Kirikov calls the style of the mansion a neo-romantic version of Art Nouveau.

The work on the project was carried out from 1900 to 1903. At first, the architect conceived a complex pavilion composition—a "temple of labor," a repository of artistic life. This idea apparently arose under the influence of the buildings of the Darmstadt Artists' Colony, being constructed at that time by the Austrian architect Olbrich. Schene’s original project was not realized, apparently due to lack of funds. Only a small wing with a high mansard roof was executed in a modified form. This building became the architect’s mansion. Schene creatively reinterpreted foreign influences. The strictness and conciseness of forms became a new word in the architecture of early St. Petersburg Art Nouveau. At the same time, the architect developed some techniques he had found in the Gauswald dacha. From the entrance side, he again introduced a group of geometrically clear and generalized volumes: a cube (vestibule), a cylinder (tower), and a cone (its top). Here they are closely united, interlocking with each other. The contrasting juxtaposition emphasizes the expressiveness of these simple large forms.
Inside, the house in the original project included 4 rooms with a veranda on the first floor and 2 on the second; later it was slightly expanded. On the first floor of the house there is a small vestibule and a spacious hall with a staircase to the second floor. The floor in the vestibule is laid with ceramic tiles featuring a geometric pattern. On the first floor were located an office, a bedroom with a terrace, and a bathroom. The walls were finished with wooden panels and an ornamental frieze of white circles with blue stripes and blue circles with white stripes.
On the second floor were the living room, buffet room, dining room, and music hall. From the large windows of the music hall and living room, there is a picturesque view of the pond and a small island.
In the garden, located between the house and the pond, there were many rose bushes and climbing plants.
The elite theme of the house for a creative personality found fertile ground on Kamenniy Island. It is no coincidence that architects Meltzer and von Postels built their own Art Nouveau mansions nearby. However, Schene’s own house passed immediately after construction to a Vilnius burgher named Altshuller. Before the revolution, it was bought by the Luzhsky landowner Grzegorzewski.
In 1916, Schene’s house was confiscated by the island’s owners.
In 1918, the mansion was handed over to a children’s labor colony. In the 1920s, it was converted into apartments, with no significant changes to the layout.
The villa’s interiors featured elements of decorative ceramics, which were carefully preserved until the 1970s, but during the remodeling of the interior for a state residence, the original decor was dismantled and some elements were placed in the collections of the Museum of the History of Leningrad.
Recently, a reconstruction was carried out for a state dacha (residence K-4). The building was partially rebuilt, and the plot was surrounded by a high solid fence. Today, the mansion is under the jurisdiction of the Administrative Department of the President of the Russian Federation.

After reconstruction, object K-4 on Kamenniy Island will be called the State Guest Residence. High-ranking foreign guests will stay here, and members of the Russian government may also reside. The residence includes an ensemble of mansions, among which are the buildings of architect Meltzer’s dacha, architect Schene’s mansion, and banker Soloveichik’s dacha.

Sources:
https://ru.wikipedia.org/wiki/Особняк_В._И._Шёне


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More stories from Petersburg: Mansions and Summer Houses of Kamenny Island

Dacha of E. L. Leonova (Apraksin House)

13 Akademika Pavlova St., Saint Petersburg, Russia, 197022

In 1901, the old dacha located on this plot was transferred to the actress of the Imperial Theatres, Elizaveta Leonova, for whom the architect Anatoly Kovsharov built a lavish two-story mansion with a tower in 1902. The building has a compact plan, symmetrical facade composition, with an architectural design stylized in the forms of early classicism (the so-called "Louis XVI style") and Renaissance.

House of P. I. Goze (Sherman the Scarecrow's House)

Side Alley, 11, Saint Petersburg, Russia, 197376

On Kamenny Island, there are few historical houses left that have remained untouched since the 1990s. The house of Petr Goze, later rebuilt into the summer residence of Mrs. Orlova, is one of the vivid examples of the Art Nouveau era, when buildings were still constructed from wood.

Mansion of V. I. Shöne

Teatralnaya Alley, 3, Saint Petersburg, Russia, 197376

Schöne worked on the design of his own house from 1900 to 1903. Initially, his mansion was supposed to represent a complex compositional group united by the symbolic theme of the "temple of labor." The idea was inspired by the work of architect J.-M. Olbrich for the Darmstadt Artists' Colony (1901). However, Schöne's original concept was not realized, possibly due to its high cost. One of the buildings in the complex planned by Schöne was a small wing, which the architect redesigned into a mansion. The city council issued a permit for the construction of this house on May 30, 1903.

The Mansion of Countess Kleinmichel

nab. Krestovka River, 10, Saint Petersburg, Russia, 197110

The mansion of Countess Kleinmichel, a remarkable architectural monument, is located in the northwestern part of Kamenny Island, on the bank of the Krestovka River, a tributary of the Malaya Nevka, which separates Kamenny and Krestovsky Islands.

M. K. Kugusheva Mansion - B. M. Kustodiev Children's Art School

Side Alley, 1, Saint Petersburg, Russia, 197376

The dacha is located in the central part of Kamenniy Island. After the "highest" approval of the plan for dividing it into plots for lease in 1897, this area began to be intensively developed. In 1898, the widow of Staff Rotmistr Princess Kugusheva leased a plot between the Middle and Side alleys and the embankment of the Malaya Nevka River for 90 years. In the summer of the same year, construction began according to architect Preis's project of a two-story "large dacha," a temporary house, a stable, a janitor's house, and an icehouse, continuing until 1899.

Follenweider Mansion

Bolshaya Alley, 13, Saint Petersburg, Russia, 197376

At the beginning of the 20th century, Eduard Follenweider, a tailor and supplier to the Imperial Court, turned to Roman Meltzer — an architect who was building a house for himself nearby in this settlement — with a request to design a house for him. The building is the first and most striking example of Northern Art Nouveau. This style was actively developing at the time in St. Petersburg under the influence of Scandinavian architecture. In Follenweider’s house project, the architect used a complex combination of shapes and volumes, as well as finishing materials unusual for the region. Among the locals, due to the particularly prominent large tiled roof in the overall composition, the house quickly earned the nickname "Sugar Head."

Melzer Estate ("Baba Yaga's House," "Fairy Tale House") and the Dispute Associated with It

Polevaya Alley, 8, Saint Petersburg, Russia, 197376

At the beginning of the 20th century, the master of St. Petersburg Art Nouveau, Roman Fyodorovich Meltzer, decided to build his own house on Kamenny Island. From 1901, the architect's project underwent multiple changes, and in 1904 it was finalized. The Meltzer mansion, which can be seen from the Krestovka embankment, is one of the key monuments of northern Art Nouveau in St. Petersburg. When constructing the mansion, Meltzer used motifs of ancient Russian architecture and Russian national architecture. Undoubtedly, elements of Finnish national romanticism played a significant role in the appearance of the house. The walls made of roughly hewn stone, massive logs, and the high-rising pyramidal roof give the house a picturesque quality. The most attention is drawn to the gable roof, which becomes the defining part of the silhouette and soars upward.

Dacha Gauswald, the first Art Nouveau house in Russia

Bolshaya Alley, 14, Saint Petersburg, Russia, 197376

The Hauswald Dacha is one of the first buildings in the Art Nouveau style on Kamenniy Island, designed by the then-popular young architects Vladimir Chagin and Vasily Shene. It gained recognition across the Soviet Union and even abroad after the release of the film *The Adventures of Sherlock Holmes and Dr. Watson*, as this building "played" the role of Irene Adler's house. Additionally, it appeared in the films *Don Cesar de Bazan*, *The Bat*, *Without Family*, and *Maritza*.

The Summer House of Prince Oldenburg (Dolgorukov's Summer House)

nab. Malaya Nevka River, 11, Saint Petersburg, Russia, 197376

The Oldenburg Dacha (also known as the Dolgorukov Dacha; Saint Petersburg, Malaya Nevka Embankment, 11) is one of the most important structures on Kamenny Island, a monument of wooden architecture from the era of Russian classicism, built in 1831–1833 by the architect S. L. Shustov.

Dacha of P. S. Petrova

Embankment of the Malaya Nevka River, 12, Saint Petersburg, Russia, 197376

The wooden summer house of P. S. Petrova, the wife of a hereditary honorary citizen, was built in the 1880s by the Oranienbaum court architect G. A. Preis. Originally, the summer house was surrounded by a fence. During the Soviet era, communal apartments were located here. In 1995, the building was reconstructed as a holiday resort. The summer house was restored in 2004 (a brick frame with wooden cladding was built) and adapted into a hotel.

Vurgaft's Dacha (Blue Dacha)

Krestovka River Embankment, 2, Saint Petersburg, Russia, 197376

The mansion of M. A. Vurgaft is also known as the "Blue Dacha." The architect was Moisey Markovich Sinyaver, and it was built in 1913-1914. In the summer of 1916, the interiors of the mansion were painted by the artist-decorator P. Maksimovich. On the pylons of the central oval hall, he depicted dancing female figures — Evening, Morning, Day, Night.

The mansion of V.N. Yakovenko, "Professor's House"

Petrogradskaya Embankment, building 34, lit. B, room 1-N, office 514, Saint Petersburg, Russia, 197376

A two-story building designed in the style of French Gothic and Renaissance. The professor's house is connected by a passage to the building of the Saint Petersburg Marine Fisheries College.

Mansion of A. L. Stieglitz - Dacha of A. A. Polovtsev

nab. Sredney Nevki River, 6, Saint Petersburg, Russia, 197183

The Dacha of A. A. Polovtsov is the palace of the diplomat Alexander Polovtsov on Kamenny Island in Saint Petersburg, built between 1912 and 1916 according to a design by Ivan Fomin. It is a prime example of Russian neoclassicism of the early 20th century.

His Imperial Majesty's Own Dacha (Old Dacha)

Krestovka River Embankment, 7, Saint Petersburg, Russia, 197376

His Imperial Majesty's Own Dacha on Kamenniy Island is a monument of wooden architecture from the Classicism period.

New Dacha (Ministerial)

Krestovka River Embankment, 11, Saint Petersburg, Russia, 197376

Next to the old dacha (Krestovka Embankment, 7), according to the project of architect Charlemagne, the building of the New Dacha was erected in 1836-1838. After the completion of construction in 1838, the dacha became known as the New Dacha, then Mariinskaya. Since the second half of the 19th century, it has been called the Ministerial Dacha.

Kamennoostrovsky Theatre

Staroho Teatra Square, 13, Saint Petersburg, Russia, 197110

The Kamennoostrovsky Theatre is the only surviving monument of wooden architecture from the Classicism era in Saint Petersburg. The building was constructed in 1827 based on a design by architect Shustov. Since 2005, the Kamennoostrovsky Theatre has been part of the stage complex of the Bolshoi Drama Theatre.