The Romance of Count Arakcheev and Nastasya Minkina – Two of the Most Cruel People of Their Era

4VWJ+PH Gruzino, Novgorod Oblast, Russia

"—…Madam Minkina, oh how beautiful! A bit nervous. Why on earth burn the maid’s face with curling tongs! Of course, under these circumstances, they’ll be killed!.."
One of the chapters of the novel *The Master and Margarita* is called "The Great Ball at Satan's." As the reader recalls, Margarita was the queen of this ball; she greeted the guests—famous villains and villainesses. Almost all the invitees were real historical figures. Here, Koroviev introduces the next guest:
“–…Madam Minkina, oh how lovely! A bit nervous. Why burn the maid’s face with curling tongs! Of course, under these conditions, she’ll be cut down!..”

Before telling the story of Nastasya Minkina, it is necessary to recall her famous lover—Count Arakcheev, the most influential man during the reign of Emperor Alexander I, and his estate in Gruzino.
“From Chudovo, turn left, 13 versts, Gruzino. A few years ago I visited this village, which belonged to the late Count A.A. Arakcheev. The road there leads along a beautiful highway lined with trees. Between Petersburg and Novgorod, Gruzino is certainly the most remarkable and picturesque place. Behind Lake Gruzinets, across which I crossed by ferry, on a significant elevation stands a church and large stone buildings hidden in the dense greenery of the garden: this is Gruzino. A historical tradition, passed down by the author of the Stepennaia Kniga, states that St. Apostle Andrew, passing from Novgorod to Rome, was in Gruzino (Druzino) and planted his staff there, and that on this spot, soon after the baptism of Novgorod and in memory of the tradition, a church was built in the name of St. Andrew the First-Called. In this church is kept a precious rarity: a banner or standard of Grand Prince Vladimir of Kiev; this banner was donated to the church by Senator Klyucharev and brought from Poland by his son. It is known that the Gruzino volost, belonging to the Novgorod Derevyanitsky Monastery, was given by Emperor Peter I to Prince Menshikov and later was under economic administration. Emperor Paul I granted Arakcheev baronial dignity and 2,000 souls of peasants, allowing him to choose them wherever he wished. Arakcheev desired to have Gruzino.
The former owner of Gruzino adorned his estate with elegant buildings and monuments. At the magnificent monument erected to Emperor Paul I lies a tombstone; this is the tomb of Count Arakcheev with the inscription: ‘May even my ashes remain at the foot of Your image.’ Upon the death of Count Arakcheev, the sovereign emperor decreed to forever give the Gruzino volost to the Novgorod Count Arakcheev Cadet Corps, which is housed in one of the local buildings. Besides this excellent use of the late count’s property, according to his will, 1,439,220 rubles in assignations will be awarded to whoever writes the best history of Emperor Alexander I’s reign in Russian by 1925—that is, the most complete, reliable, and eloquent.
The main house or palace, where the blessed memory Emperor Alexander stayed during his visit to Gruzino, is filled with items dedicated to memories of the emperor. In the study, on the writing desk lies, among other things, a portfolio in which the count presented matters to the sovereign for report. All these items, testifying to the favor of the unforgettable emperor towards him, according to the will of the late Count Alexey Andreyevich, must remain here in the same form and order as we see them now, forever.
The Gruzino garden is located on hilly, extremely picturesque terrain and is decorated with monuments, gazebos, and more. In short, Gruzino belongs, as we said, to the most curious places between Petersburg and Novgorod,” wrote the censor and art historian David Ivanovich Matskevich in his travel notes.
“Arakcheevshchina” became a term denoting harsh command and stick discipline. This is largely true, as Arakcheev himself was convinced: “Only under the stick is anything done.” His reputation as a dull and cruel satrap was formed during his lifetime. Pushkin wrote three biting epigrams about him, two of which used expressive dots instead of obscene words.

Alexey Andreyevich Arakcheev came from minor landed nobility. In his childhood, he studied with a village deacon and by the age of fourteen knew only, by his own words, “Russian literacy and the four rules of arithmetic.” In 1783, after numerous petitions, Alexey was accepted into the cadets of the Artillery and Engineering Noble Corps. He studied brilliantly and was highly regarded by the authorities. But the cadets disliked Arakcheev for his harsh and unsociable character; he was constantly tormented and even often beaten. Arakcheev did not endure insults for long: as soon as he was appointed senior in the corps, he took revenge fully and retaliated indiscriminately. The cadets hated Arakcheev so much that they attempted to kill him: they placed a heavy stone at the top of the stairs and, when Arakcheev stepped onto the bottom step, they dropped it on him.
Two years after entering the cadet corps, Arakcheev was already a non-commissioned officer, and upon graduation received the rank of lieutenant. Soon the heir to the throne, Grand Duke Pavel Petrovich, noticed him and appointed him commander of his artillery—Pavel had his own small army in Gatchina, similar to Peter’s “amusement” regiments. Arakcheev revered Pavel and once, in a fit of mystical enthusiasm, fell to his knees and exclaimed:
– I have only God and You!
With Pavel I’s accession to the throne began Arakcheev’s rapid rise. At twenty-seven, he was already a colonel and commandant of Saint Petersburg; the emperor gifted him the estate of Gruzino in Novgorod province with the surrounding village of Oskuy and nineteen villages, as well as two thousand souls of peasants. On the day of the emperor’s coronation, Arakcheev was elevated to baronial dignity. Over the next four years, ranks, positions, and orders poured upon him continuously. In 1799, the emperor appointed Arakcheev commander of all artillery and granted him the title of count of the Russian Empire. Besides the title, Pavel I gave his favorite a coat of arms with the motto: “Faithful without flattery.” Soon wits altered the motto by changing just one letter in the first word—from “без” (without) to “бес” (demon)—making it read that Arakcheev was “a demon devoted to flattery.”
To be fair, Arakcheev, unlike other royal favorites, earned the sovereign’s favor through knowledge, abilities, and hard work. Wherever he appeared as a commander, order was soon established. He was an “effective manager” of his country and his era. Naturally, he achieved this by strictly Arakcheev methods. Street curses and slaps were the mildest “methods.” And Arakcheev, by his position, dealt not with privates and corporals, but with senior officers, often highly decorated.
Once, during an inspection of the Life Guards Preobrazhensky Regiment, Arakcheev insulted officers particularly harshly, and they complained to the sovereign through an influential comrade. Since then, Pavel I’s attitude toward Arakcheev cooled. Soon Arakcheev slapped a young officer of his staff, von Fitinghof. Finally, a real tragedy occurred: Arakcheev mortally insulted Lieutenant Colonel Len, a Suvorov veteran awarded the St. George Cross for bravery. Len held back and silently endured the abuse, but after the service loaded two pistols and went to Arakcheev, but did not find him. Returning home, Len wrote a letter to the offender and shot himself.
And this human machine was, it turns out, a secret sensualist. To be honest, he was an unremarkable lover, never shining in appearance or charm. Here is his verbal portrait: “In appearance, Arakcheev resembled a large monkey in uniform. He was tall, lean, and sinewy: there was nothing graceful in his build, as he was very stooped and had a long thin neck on which one could study the anatomy of veins, muscles, etc. Moreover, he somehow convulsively wrinkled his chin. He had large fleshy ears, a thick ugly head always tilted to one side; his complexion was impure, cheeks sunken, nose broad and angular, nostrils flared, mouth large, forehead overhanging…” Add to this an unpleasant voice, what was then called a “fistula” (a kind of old flute).
Of course, an unattractive man can be irresistible. But that is a kind of talent, and Arakcheev was talentless in the art of love and did not bother with fuss. In Gruzino, he bought beautiful serf girls from neighboring landlords and made them his concubines. Having had his fill of one slave, he married her off, providing a small dowry.
But then a miracle happened: the Zmey Gorynych, devourer of maidens, fell in love with one of his captives. Her name was Nastasya Fyodorovna Minkina; she was the daughter of a coachman, with some Gypsy blood in her veins. Apparently, that’s why she was born a dark-eyed, swarthy brunette with curly hair. Round-faced and stately, she immediately enchanted Arakcheev. The peasants said about her: “…since the count bought her, she cast a fog over him and got such power that God forbid.”
The nineteen-year-old Nastasya became the count’s last successful acquisition. She turned out to be remarkably clever, quickly grasped household management, could count, and soon learned to write quite competently. Arakcheev trusted his mistress completely and entrusted her with running the house and commanding the servants.
Here, Minkina’s harsh character, fitting Arakcheev’s, showed itself. At first, she tormented only possible rivals, then began to torment all the household. She was Arakcheev in a skirt. But if the cruelty of the master had some administrative sense, then Minkina’s cruelty was petty female malice and intoxication with power.
Nastasya tried even harder to bind her lover to herself. But she could not get pregnant. She persuaded a pregnant peasant woman to give her the unborn child. It was not difficult for Nastasya to fake her own pregnancy, especially since the count visited the estate sporadically. In 1803, Minkina supposedly “gave birth” to a boy. Arakcheev’s joy knew no bounds. The boy was baptized Mikhail. The deceived father ordered his adjutant to obtain nobility for Misha by any means. The count’s envoy bought documents in Vitebsk in the name of Mikhail Shumsky—a noble boy of that name had just died. Since then, Nastasya Minkina began signing with the false surname Shumskaya.
Arakcheev’s feelings did not fade with the years; he indulged Nastasya in every way, built her a separate wing opposite the lord’s house. Even Emperor Alexander I visited there and drank tea with the lord’s concubine—a touching union of the sovereign with his people. In 1806, the count immortalized his love for Minkina by erecting a peculiar monument in his estate in the form of a luxurious cast-iron vase. The metal used for casting cannons seemed preferable to bronze and marble.
And in the same year, Arakcheev… got married. His mother, Elizaveta Andreyevna, had long lamented that her son was still unmarried. It was also improper for such a high official to remain a bachelor. He was matched with eighteen-year-old Natalia Khomutova from a modest family of Yaroslavl nobility. The couple lived in Petersburg, but now Arakcheev appeared even less in society—he did not want to show his pretty wife to the city’s social whirl. Moreover, the count forbade Natalia to travel anywhere alone.
Arakcheev usually dined at home, and besides his wife, several invited officers were always at the table. The count was sometimes in a cheerful mood and showered his wife with army jokes, which made the young adjutants uncomfortable. The countess blushed and remained silent.
Arakcheev’s rudeness and jealousy completed the destruction of the family. Once the count went to the troops, and soon Natalia Fyodorovna ordered the carriage to be prepared to go somewhere. The footman reported that the master forbade her to be taken anywhere except to her mother and other relatives. The countess ordered to be taken to her mother and stayed there. Arakcheev, returning to the capital, immediately went after his wife, but she refused to return to him. The count went after her every day and finally persuaded her. They got into the carriage and set off. What happened in the carriage is unknown, but halfway Arakcheev got out and walked home on foot, and the wife, now practically the ex-wife, returned to her mother forever.
It was said that since then Arakcheev’s attitude toward marriage became simply intolerable. A contemporary claimed that he even hindered the marriages of his serfs: “The count paired them off—the groom with the bride he chose; Ivan stood with Matryona and Sidor with Pelageya. When all were thus arranged, the count ordered Pelageya to go to Ivan, and Matryona to Sidor, and so he ordered them to be wed. Hence in families there were quarrels, disputes, and debauchery.”
In reality, it was not quite so. Arakcheev, according to the “Rules on Weddings” he composed, strictly examined newlyweds on divine law and, if anyone erred, postponed the wedding for a year. Sometimes they had to retake the exam for several years.
In Saint Petersburg, Arakcheev also had mistresses—seekers of ranks and positions for their husbands and relatives. The count had a long affair with the wife of the Ober-Procurator of the Synod with the amusing surname Pukalov. Arakcheev was friends with her husband Ivan Antonovich and cohabited with his young wife Varvara Petrovna. Many knew about this affair: “…he (Pukalov) considered mind and conscience merchandise and sold them to whoever paid more; he also rented out his wife’s body, and Count Alexey Andreyevich Arakcheev subscribed to Mrs. Pukalova’s body indefinitely. Ivan Antonovich finally resigned from service of his own accord, but as the subscription to his wife’s body continued, he remained a house man at the count’s, a friend of the house, and engaged in industry—providing stools (Pukalov called order stars ‘stools’) and almonds (he called medals ‘almonds’) à prix fixe (at a fixed price). A stool cost 10,000 rubles, an almond 5,000 rubles.”
But no amorous escapades in the capital overshadowed Arakcheev’s heart for his beloved Nastasya. Even when in 1819 he somehow learned that Mikhail was not their son—he forgave and never reproached his mistress for the deception. True, she used all her charms, fawned, and flattered. She constantly sent the count “reports on the work done,” such as: “In our house, thank God, all is well—people are healthy, as are the cattle and birds…”
But mostly she wrote about personal matters:
“Oh, friend, count, may God grant you health and that I could serve you. One thought comforts me—love me, do not change me for temporary admirers who use all their tricks to catch love, and you know your health. This torments your faithful and devoted friend and servant. Kissing your hand several times.” (Spelling and punctuation preserved.)
Arakcheev’s health was indeed undermined. He spared no subordinates but did not spare himself. He was tormented by insomnia, becoming increasingly capricious and irritable. Sometimes he would call a doctor, who would feel his pulse.
– Well, am I sick? What am I sick with?
– I don’t know, your excellency!
– Well, then I’ll tell you: because you’re a fool!
After scolding the doctor, the count sometimes calmed down and fell asleep. And in the morning, he worked like a machine again. The human machine cannot slow down: stopping for him is death.
Moreover, his adopted son Mikhail constantly upset him. He was kind but weak-willed. He studied poorly at the Page Corps, was lazy. It is unknown when Shumsky learned the truth about his origin; they say since then he started drinking. Most importantly, he began to avoid his adoptive father. However, through the count’s patronage, he was enrolled as a chamber page and soon appointed a wing adjutant. He was often seen drunk on duty until he was caught in such a state by the sovereign. Alexander I sent Mikhail to serve under Arakcheev and, to console the count, gave the young man the rank of lieutenant.
Since then, Shumsky was constantly either under the watchful eye of his adoptive father or in Gruzino under Nastasya’s supervision. There he indulged in drinking without hindrance. It was said that in the count’s absence, Nastasya Minkina also began to drink—one visitor to Gruzino described her as “a drunken, fat, and spiteful woman.”
The general tension and nervousness increased in this strange family. Minkina’s cruelty became unbearable. For trivial reasons, she beat sisters Tatyana and Fedosya Ivanova, and sentenced Praskovya Antonova to whipping with rods. Minkina now always personally supervised the executions. This time she thought Praskovya had too few lashes and ordered her to be beaten additionally with whips. The girl was carried away barely alive. She was nursed by her brother Vasily, who worked in the lord’s kitchen, and his wife Darya, who was ten years older than her husband (quirks of Arakcheev’s marital games). Almost all the servants gathered at the bedside. Feldsher Stepan Isakov came, smeared the girl’s bloodied back with ointment, and applied bandages. Despair seized everyone.
– We must kill the villainess; we cannot endure her anymore, – the serfs decided.
Vasily Antonov volunteered to “suffer for the community.”
At dawn on September 10, 1825, Vasily took a kitchen knife and entered the “lady’s” bedroom. Nastasya woke up, tried to resist, shielding herself with her hands. Vasily grabbed her by the hair and slashed her throat with the knife…
At that very moment in the capital, Count Arakcheev woke up. With a gloomy premonition, he began preparing secret papers for the sovereign. Alexander I had recently left for Taganrog, where his wife was recovering her health. Arakcheev was to follow; the emperor and his temporary deputy had an important state matter—to suppress a conspiracy, to crush secret societies. Lists of noble conspirators and all secret threads were already in their hands. The emperor intended to do this, as always, hiding behind Arakcheev’s back. And the count was ready to put his chest forward, knowing that the conspirators’ hatred was directed personally against him as well.
He did not yet know that the conspiracy was in his own house.
But then Arakcheev was informed that a messenger had arrived from Gruzino with news: Nastasya Fyodorovna was dangerously ill. The count immediately got into a carriage and rushed to Gruzino. Doctor Daller and Colonel von Friken went with him—both already knew from the messenger what had really happened and were racking their brains on how to prepare Arakcheev for the deadly truth. A few versts before arriving, they met an officer named Kafka. Arakcheev ordered to stop and asked him about Nastasya Fyodorovna’s condition. Kafka answered frankly:
– Nothing, your excellency, only the skin remains on the head.
Arakcheev did not immediately understand the meaning of what was said. Then he howled, threw himself out of the carriage onto the ground, rolled on the grass, tore it out by the roots, then began pulling his hair and shouting:
– They killed her, they killed her, so kill me too, stab me quickly!
He was barely seated back in the carriage. But already at the estate, seeing Minkina’s corpse on the table, the count again went into a frenzy. He ran around the yard before the gathered peasants and shouted:
– Villains! Cut me too! You took everything from me!
Before the funeral, Arakcheev was in some stupor. When the coffin was lowered into the grave, he seemed to come to and threw himself into the pit shouting:
– Without her, life is not needed! Kill me!
In a letter to the emperor, the suspicious Arakcheev hinted at a conspiracy directly against him: “…to make me incapable of serving you and fulfilling your holy will, father, it can also be assumed that the murderer had designs on me…”
The investigation arrested all of Arakcheev’s servants; interrogations were conducted with severity. Soon the main culprit and accomplices were identified. But the investigators, under the pressure of the all-powerful Arakcheev, sought to hold as many serfs responsible as possible, exceeded their authority, and violated laws. According to Herzen, Arakcheev himself, bound with a bloodied cloth taken from Minkina’s corpse, came to interrogate the unfortunate. There was one decent magistrate who refused to flog a pregnant peasant woman. “The magistrate was arrested and resigned; I sincerely regret not knowing his name, but may his past sins be forgiven for this moment—simply put, heroism, with such bandits it was no joke to show human feeling,” Herzen wrote.
All those whom the investigation deemed guilty were sentenced to punishment by whip and penal labor. They were flogged in Gruzino, on the square in front of the cathedral, in the presence of all the serfs, old and young. Vasily Antonov and his sister were whipped to death on the spot; another woman died a few days later. The rest endured the punishment and, after their wounds healed, were sent by stages to Siberia.
Arakcheev did not manage to enjoy revenge; he suffered a new blow—the death of Emperor Alexander I in Taganrog. Moreover, immersed in his grief and then occupied with retribution, the count failed in his duty, simply put, he missed the Decembrist uprising. The count realized that he could not count on the favor of the new sovereign Nicholas I.
Sorting through Minkina’s papers, the count made a bitter discovery—Nastasya had been unfaithful to him, as evidenced by love notes from young officers. So she did not love him, she had pretended for many years!
Besides, the count found in Minkina’s wing many letters of petition and gifts from capital dignitaries seeking favor from the count. There were forty carts full of such offerings! Arakcheev ordered the gifts returned, but since the donors did not admit it, the count threatened to publish the lists in newspapers with the petitions of nobles to the serf girl Nastasya. They were quickly taken away!
Arakcheev retired. He never recovered from so many cruel blows of fate until the end of his days.
Mikhail Shumsky continued to grieve the count—he kept drinking and behaving badly. In 1826, shortly after the described events, he appeared drunk at the theater with a sliced watermelon. He settled in the parterre and began eating the watermelon, pulling out the pulp with his hand. In front sat a merchant with a bald head. Shumsky applauded in an original way—slapping the old man’s bald head. When the man was outraged, Shumsky put the watermelon on his head and loudly declared:
– Old man, here’s your wig!
The rowdy was arrested and soon “for indecent behavior,” as stated in the order, transferred to the Caucasus. There he fought bravely, wrote penitential letters to Arakcheev, and after a year was returned from the Caucasus. But he started drinking again and was eventually discharged from the army allegedly “due to illness.” Shumsky wandered, sometimes returning to Gruzino, sometimes leaving. Finally, he settled in a monastery. Arakcheev generously provided him with a stipend of one hundred rubles a month, and later Shumsky received a pension from the emperor of 1,200 rubles a year. He changed several monasteries and died in 1851.
In his last years, Arakcheev’s character softened. Before his death in 1834, he bequeathed significant sums to charity. His last words were: “Forgive me, those whom I offended.”
And to new generations of Russian rulers, he left pearls of administrative wisdom:
“We will do everything: from us Russians, the impossible must be demanded to achieve the possible.”
“To make a Russian do something decent, you must first break his face.”
“As for the opinions of the people, one should not pay attention to them, for they will do nothing important.”


Sources: 
https://nataturka.ru/muzey-usadba/usadba-gruzino.html
https://www.sovsekretno.ru/articles/zverskaya-lyubov/

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Renella Pavilion (Tea House or Gothic Cottage)

VXM4+Q3 Petrodvortsovy District, Saint Petersburg, Russia

The Renell Pavilion, or as it was sometimes called, the Tea or Gothic House, is one of the many diverse park pavilions that appeared in Peterhof during the reign of Nicholas I. "During the Empress's stay in Palermo (the wife of Nicholas I), she liked a Gothic house with multifaceted pointed towers at the corners of an elongated quadrangle. Rough sketches of this building made on the spot were sent to St. Petersburg with the order for Stakenschneider to build the Renell Pavilion according to them in Znamenka, on the shore."

Stable yard in Znamenka

Aleksandrovskaya St., 8, Saint Petersburg, Russia, 198517

The Znamensky Stable Yard was a spacious complex, featuring arched gates with wrought iron doors, resembling a palace. It included a riding arena for guests, ten horse stalls, an infirmary, smithies, and living quarters for the staff. Exhibitions of purebred horse breeds were held here, attracting horse breeding enthusiasts and owners of stud farms. The General Inspector of Cavalry, Grand Duke Nicholas Nikolaevich the Elder, was involved in this endeavor and had a great passion for horses.

Lost Estates - The Tragic Fate of Andrey Ivanovich Shtakenshneider's Estate in Pudost

Gatchinskaya Mill, 2, Myza-Ivanovka, Leningrad Region, Russia, 188352

In addition to his own house on Millionnaya Street, they also described Andrey Ivanovich's estate in the Pudost area, called the Ivanovka Manor — a carved wooden house near a ruined mill, the "pink dacha" on the fast-flowing Izhora River. Listed in directories and tourist maps, this estate unfortunately no longer exists today.

The History of Stakenschneider's Pink Pavilion

VV7X+92 Petrodvortsovy District, Saint Petersburg, Russia

On March 26 (March 14 old style), 1845, the Peterhof Palace Administration received an order to begin the construction of the "Ozerki" pavilion in the Meadow Park. The order stated: "His Majesty the Emperor, having approved the plan, facade, and estimate for the construction of the pavilion by the lock of the Samsonievsky Canal in Peterhof, has most graciously commanded that this construction be carried out under the supervision of architect Stakenschneider."

Lost Estates – The Fifth Mountain, the most "disappeared" of all the estates in the Leningrad Region

CQX4+FJ 5th Mountain, Leningrad Oblast, Russia

The Fifth Hill is the most "disappeared" of all the estates in the Leningrad region. Only the remains of the manor house foundation, the park gates, and a crumbling rotunda-shaped church have survived to this day. The name Fifth Hill has been recorded in history since the 18th century, but how it originated is unknown. There was never a First, Second, Third, or Fourth Hill in the vicinity. The last owner of the Fifth Hill was Fyodor Briskorn, the civil governor of the Caucasus province. Later, his widow Olga commissioned a luxurious rotunda church (the Church of the Holy Trinity) in memory of her husband. During its construction, a large amount of soft sedimentary rock was used, which has long since crumbled. This is why the church tilts first to one side, then to the other. It is hard to imagine that as recently as the 1960s it was still in use, given the church’s current state of ruin. The estate itself has practically not survived, with only the foundations of buildings visible here and there. But the outlines of the old park with huge larches, lindens, and ashes are still visible, as well as a pond with an island.

Lost Estates: The Albrechts' Estate

Kotly, 96, Kotly, Leningrad Region, Russia, 188467

The Albrekht Estate is an old manor that belonged to the Russian noble family Albrekht. It is located in the village of Kotly, Kingisepp District, Leningrad Region.

Lost Estates: The Gersdorff-Weimarn Estate Complex "Kummolova Manor"

MX4P+HH Ananino, Leningrad Oblast, Russia

Kummolovo or the Kummolovo Manor is an old estate that belonged at different times to Russian noble families — the Gersdorfs, von Weimarns, and Blumentrosts. It is located in the Lomonosovsky District of the Leningrad Region, in the village of Kummolovo of the same name, now uninhabited.

Lost Estates: The Taitskaya Estate of the Demidovs

Sverdlov Sanatorium, 2, Sverdlov Sanatorium, Leningrad Region, Russia, 198327

To create a luxurious garden and park ensemble, Demidov invited his sister’s husband — Ivan Yegorovich Starov, a young architect and adjunct professor at the Academy of Arts. Construction began in 1774 and continued until 1786. The formation of the ensemble took place in two stages. In the first stage, a manor house was built on the bank of the Verevka River, and to the west, a complex of utility buildings. Behind a long stone fence was a five-part square, which included the two-story residential wing that has survived to this day, the manager’s house, four stables, a gatehouse, a carriage house, and other structures. An alley led to the manor house, curving around an oval parterre in front of its western facade.

The Yeliseyev Estate in Belogorka

Institutskaya St., 1, Belogorka, Leningrad Region, Russia, 188338

One of the most stunningly beautiful estates has been preserved on the picturesque bank of the Oredezh River near the Siverskaya station. This is the Belogorka estate, renowned not only for its historical past but also for its manor house in the Art Nouveau style, which has no parallels in architectural features. The locals and nearby summer residents call it the Eliseevsky Castle.

Königsberg Castle - History, Secrets, and Legends

Central Square, 1, Kaliningrad, Kaliningrad Region, Russia, 236022

Königsberg Castle (Königsberger Schloß) — a castle of the Teutonic Order in Königsberg (Kaliningrad), also called the Royal Castle. Königsberg translates to "royal mountain." This is a place on a hill by the river where the Teutonic Order's castle was built.

Lost Estates: Maksimov's Dacha in Oranienbaum

Krasnoflotskoye Highway, 16, Saint Petersburg, Russia, 198412

Maximov's dacha in the town of Lomonosov (Oranienbaum) on Krasnoflotskoye Highway, 16, is a federal architectural monument. A researcher of the architectural heritage of the Peterhof Road and Oranienbaum, Gorbatenko, wrote in his monograph: “The facades and even (a rare case) the interiors of the main building have largely preserved their historical architecture.” This house is a kind of “last of the Mohicans” of the extensive dacha heritage from the turn of the 19th-20th centuries along the southern shore of the Gulf of Finland.

German Reformed Church — Palace of Culture of Communications Workers

Bolshaya Morskaya St., 58, Saint Petersburg, Russia, 190000

The Palace of Culture of Communications Workers, the Communications Palace of Culture, is a former palace of culture located in the center of Saint Petersburg at 58 Bolshaya Morskaya Street. It was rebuilt from a German Reformed Church dating from 1862–1865, created under the direction of architects Harald Bosse and David Grimm.

"Fairy Tale House." The Income House of P. I. Koltsov, Lost Masterpieces

Angliyskiy Ave., 21, Saint Petersburg, Russia, 190121

In 1909, architect A. A. Bernardazzi, commissioned by gold miner Koltsov, built an income house on the corner of Officers' Street and English Avenue, which immediately earned the nickname "Fairy Tale House" among the people of St. Petersburg due to its appearance. A whimsical blend of various romantic styles — "Northern Modern" and "National Style," windows and balconies of fanciful shapes, a corner tower, walls clad in natural stone, and colorful majolica panels, believed by some experts to be based on sketches by Vrubel, allowed the author to create, against the backdrop of the ordinary buildings of old Kolomna, a magical spectacle reminiscent of a dazzling theatrical set. On the facade, sculptor Raush von Traubenberg carved from stone a Phoenix bird, which seemed to support the corner bay window of the "Fairy Tale House" on its wings.

Prince Orlov's Dacha

Frontovaya St., 2, Saint Petersburg, Russia, 198515

The Orlov Palace is a neo-Gothic palace that is part of the estate of the Orlov princes in Strelna, a suburb of Saint Petersburg. The palace was destroyed during the Great Patriotic War, but some buildings of the former estate have been preserved and are recognized as a cultural heritage site of Russia. As of 2016, the estate includes: a tower-ruin, Gothic gates, a grotto, a gatekeeper's house, a well, a stable yard (gates, a building with an Ionic portico, two stables, a smithy, an icehouse, two greenhouses), the Tuff Bridge, and "Parnassus."

Alakirjola - the Nobel family country estate

GM5X+6R Landyshevka, Leningrad Oblast, Russia

Alakirjola - the Baltic estate of the Nobel family. Settlement. Until 1939, the village of Kirjola was part of the Johannes parish of the Vyborg province (Finland). The village was also called Alakirjola. Its name translates as "Lower Kirjola." Its history dates back to the 15th century. Today, this estate is located within the territory of the modern village of Landyshevka in the Vyborg district.

Nobel Family Mansion and the Management Office of the "Ludwig Nobel" Mechanical Plant

Pirogovskaya Embankment, 19, Saint Petersburg, Russia, 194044

The mansion from 1876 in the neoclassical style was built by the Swedish architect Karl Anderson. According to the design, the building was a two-story yellow mansion with red architectural details, modeled after an Italian Renaissance palazzo. The house served as a refuge for the large Nobel family and simultaneously as the office for the factory: the mechanical plant "Ludwig Nobel," which produced cannons and their carriages, underwater mines, and artillery shells. The enterprise utilized the inventions of Alfred Nobel.

The estate of Count P.V. Zavadovsky, Church of Saint Catherine

2G7R+V8 Lyalichi, Bryansk Oblast, Russia

Not far from Novozybkov, in the village of Lyalichi in the Surazh district, lie the majestic ruins of the Ekaterinodar estate, built in the 18th century by Count Pyotr Vasilyevich Zavadovsky. This architectural monument, alas, shared the fate of many similar structures — the estate of Catherine II’s favorite passed from hand to hand, slowly falling into ruin, and was already a pitiful sight by the early 20th century. But it is encouraging that the estate is gradually being restored, and the Church of St. Catherine located right there has almost been fully renovated.

Dacha of Adelia Fyodorovna Tasheit

Lakhtinsky Ave., 115, Saint Petersburg, Russia, 197229

A wooden building in the Art Nouveau style was constructed in 1914 based on the design of architect Sergey Osipovich Ovsyannikov for the widow of the hereditary honorary citizen, customs forwarder Karl-Friedrich-Lorenz (Karl Fyodorovich) Tasheita.

Seven-Towered Castle - Lithuanian Castle - Prison Castle

29 Dekabristov St., Saint Petersburg, Russia, 190121

Immediately behind the Kryukov Canal stands a modern monumental seven-story residential building No. 29. Before the revolution, a two-story dirty green building occupied this site, covering an entire block. This was the famous Lithuanian Castle. Its corners were adorned with round towers — seven in total. These gave the castle its original name — "Seven-Towered." Above the pediment of the castle church, facing Officer Street, were two angels holding a cross. The locals believed that some Lithuanian prince lived here, which is why the castle came to be called the Lithuanian Castle.

Lost Estates: Ulyanka Estate

Stachek Ave, 206, Saint Petersburg, Russia, 198262

Ulyánka is a former estate on the Peterhof Road near Saint Petersburg, which belonged to the Sheremetev count family from 1806 to 1917.