Anichkov Palace is the oldest surviving building on Nevsky Prospect.

Nevsky Ave., 39, Saint Petersburg, Russia, 191023

The name of the palace and the nearby bridge comes from the **Anichkov Palace** and the **Anichkov Bridge** in Saint Petersburg, Russia. Both are named after Mikhail Anichkov, an engineer who supervised the construction of the first wooden bridge at this location in the early 18th century. The palace later took its name from the bridge and the area.

In 1710, the distribution of land plots along the banks of the Fontanka River, then known as the Nameless Erik, began for the construction of country estates. On February 11, 1724, a list of persons granted plots was submitted to Emperor Peter the First by the city’s General Police Chief Anton Devier. Anton Devier, son-in-law of A. D. Menshikov, received a plot on which the Anichkov Palace was later located. One document described his estate as having a “wooden house on the shore, with servants’ quarters and barns in the yard, a pond built according to printed drawings in the city, and a simple vegetable garden.” In 1727, due to Devier’s arrest, the plot was confiscated.

Later, this plot belonged to the estate of timber merchant and merchant Dmitry Lukyanov, stretching about 200 sazhen along Nevsky Prospect and the Fontanka.

On August 20, 1739, the Commission on the Construction of Petersburg proposed to line Nevsky Prospect with stone houses for its improvement. This place could be built up by the merchant himself or given to those interested. Since this plot was located in a deserted part of the city and was unprofitable for Dmitry Lukyanov, he found a way out by selling the land to Elizabeth Petrovna, daughter of Peter the First.

It is said that the location for the Anichkov Palace was chosen deliberately. In 1741, the Preobrazhensky Regiment was stationed here; its soldiers helped Grand Duchess Elizabeth Petrovna seize the throne. On the eve of the coup, Elizabeth and the Orlov brothers visited the troops to ask if they would support the conspiracy. They promised the princess full support. The next day, Elizabeth led the Preobrazhensky soldiers in the assault on the Winter Palace.

Construction of the palace began in 1741. The project for the multi-story building in the shape of an elongated letter “H” was created by one of the first architects of the new capital, Mikhail Zemtsov. The construction was completed in the high Baroque style by Rastrelli.


At that time, the Fontanka served as the city’s outskirts, and Nevsky Prospect was still a clearing. Thus, the palace was meant to adorn the entrance to the capital. A special canal was dug from the Fontanka to the palace, ending in a small harbor at the entrance. That is why the palace faces Nevsky Prospect not with its front facade, like most buildings, but with its side wall. In the 18th century, Nevsky “perspektiva” was not yet the main street of the city: rivers played a more important role, and house facades were oriented toward the embankments. The Anichkov Palace was built according to this principle, with its central entrance facing the Fontanka River.


Where does the name of the palace and the nearby bridge come from?
When Elizabeth signed the decree to build the palace, it was on the city’s outskirts, near a suburban settlement. Among those quartered there were soldiers of the Admiralty Battalion under the command of officer M. Anichkov.

They were entrusted with building the first wooden bridge, and the residents of this settlement began calling the bridge “Anichkov,” and later the name passed on to the settlement itself.

Later, when documents concerning the palace’s construction were drawn up, the papers referred to it as “…the palace by Anichkov Bridge.” By the time the palace was built, officer M. Anichkov was no longer alive, nor could he have visited the palace due to his social status, but his name remained forever in the history of our city.

The palace, reminiscent of Peterhof, with an adjacent garden, fountains, and flower beds, was gifted by Elizabeth to Razumovsky, her favorite and morganatic husband.

Subsequently, the palace was repeatedly given as a gift, usually for weddings. After Catherine the Great ascended the throne, she bought it from Razumovsky’s brother Kirill and deemed it most appropriate to gift it to her favorite, Count Grigory Potemkin.

The gift included 100,000 rubles for decorating the palace “to taste.” Grigory considered the canal old-fashioned and had it filled in. Architect Starov remodeled the palace, replacing the outdated Baroque with strict European Classicism, removing stucco from the building and leveling the number of floors. As a result, the palace became more austere but also monotonous.


Later, it continued to be passed as a gift: in the 18th century, empresses gave it to their favorites; from the early 19th century, it became the property of the Romanov family, and members of the royal family received it as a wedding gift.

In 1809, Alexander I gave the palace to his beloved sister as a dowry for the wedding of Grand Duchess Catherine Pavlovna to Prince George of Oldenburg. When the emperor’s sister remarried and left Russia in 1816, the palace returned to the treasury.

A year later, in 1817, Alexander I gave the palace as a wedding gift to his brother Nicholas Pavlovich, the future Nicholas I. Under him, architect Rossi redesigned some of the palace’s interiors. Emperor Nicholas I often held court balls within its walls. During the reconstruction of the Winter Palace after the fire of 1837, the imperial family moved to the Anichkov Palace and lived there for some time.

The son of Nicholas I, the future Alexander II, was raised in the palace. Later, in 1841, the Anichkov Palace was given to him as a wedding gift, and a quarter of a century later, it was re-gifted by Alexander II to his son, the future Alexander III. After Nicholas I’s death, the palace was renamed “Nikolaevsky” in his honor, but the new name did not catch on.

Alexander III considered the palace a safe place and chose it as his residence and protection from terrorists; it was then that a solid wall was built on the square side. After his death, the palace served as the residence of the Dowager Empress Maria Feodorovna.

The first mention of the White Lady ghost appears in A. Vasilchikov’s book “The Razumovsky Family.” The author briefly mentions a semi-transparent figure dressed in a white cloak. But the first to encounter the ghost was Nicholas I, who, it must be said, was not merely frightened but suffered a mild choking episode, which was rumored to be the first sign of the emperor’s serious illness. The emperor told his personal physician that a transparent female figure emerged from the wall and extended her hand, preventing a scream from escaping his lips. The White Lady tried to tell Nicholas something, but due to the shock, he could not understand. This incident sparked numerous rumors that soon spread throughout the city. It was said that the palace was haunted by the ghost of a Smolny Institute pupil who drowned in the Fontanka after Nicholas seduced and abandoned her. Whether this was true or not, from that moment the emperor became extremely devout. V. A. Zhukovsky, who was the tutor of young Alexander, son of Nicholas I, was so struck by this story that he wanted to write a poem about the White Lady, but the emperor was categorically against it.

There were witnesses who claimed to have seen the ghost rise to the sky with tongues of flame during the 1812 fire at the Anichkov Palace. However, this did not prevent the next Russian autocrat, Alexander II, from encountering the White Lady. The ghost told him that he would survive three assassination attempts.

In the famous diaries of Anna Vyroubova (recognized as a skillful historical forgery), there is an entry about Grand Duke Nicholas Alexandrovich’s meeting with the White Lady ghost. The mysterious transparent stranger told the prince the tragic news that he was destined to be the last Russian emperor. Nicholas allegedly did not understand her words or simply did not believe the bodiless entity. Then she disappeared forever. Since then, no one has ever seen the White Lady again.


Interestingly, this is an authentic 18th-century palace that barely suffered during the Great Patriotic War. On German maps, it was marked as No. 192, labeled “Palace of Young Bolsheviks,” and was slated for destruction. However, fate preserved it.

 

Sources:

https://www.spbmuzei.ru/anichkov.htm

https://peterburg.center/story/anichkov-dvorec-istoriya-interesnye-fakty-i-legendy-misticheskiy-sankt-peterburg.html

https://www.spb.kp.ru/daily/25966/2904530/

http://www.peterburg.biz/legenda-o-prizrake-anichkova-dvortsa.html#ixzz6tM7vSsr4

https://ru.wikipedia.org/wiki/Аничков_дворец

Follow us on social media

More stories from Petersburg: Palaces and Their Fates

The Palace of Dmitry Cantemir (Gromov House)

Millionnaya St., 9, Saint Petersburg, Russia, 191186

A historic building in the center of Saint Petersburg, at the corner of Millionnaya Street and Mramorny Lane.

Yelagin Palace

1st Elagin Bridge, 1, Saint Petersburg, Russia, 197183

What brush, what chisel, Will depict the Yelagin Palace… Attributed to A.S. Pushkin

Marble Palace - Konstantinovsky Palace

Millionnaya St., 5/1, Saint Petersburg, Russia, 191186

It is called the Marble Palace because its decor features thirty-two types of marble from quarries in Karelia, Italy, the Urals, and Altai. The palace was a gift from Catherine II to her favorite, Grigory Orlov. He did not remain in debt and gave her a Persian diamond, the value of which was equal to that of the gifted palace. The diamond was named "Orlov" and was set into the imperial scepter. Since the late 20th century, the palace has housed the Russian Museum.

Palace of Grand Duke Vladimir Alexandrovich (House of Scientists)

Palace Embankment, 26, Saint Petersburg, Russia, 191186

Among the entire "scatter" of mansions on the Palace Embankment, once belonging to members of the imperial family, there is a special diamond with an exquisite architectural cut – the Palace of Grand Duke Vladimir Alexandrovich, brother of Emperor Alexander III and uncle of the last Emperor Nicholas II. During the construction of the palace, the Grand Duke held the position of president of the Academy of Arts, and in 1884 he became the commander-in-chief of the guard and the Petersburg military district. It was he who gave the order to shoot the peaceful demonstration on January 9, 1905, after which he was removed from office. The Diogenes Club from the famous film was located here.

Palace of Grand Duke Mikhail Alexandrovich (House of A. S. Menshikov)

English Embankment, 54, Saint Petersburg, Russia, 199034

One of the grand ducal palaces of Saint Petersburg, located on the English Embankment of the Neva River. The development of this area began in the 18th century; later, the building underwent several major reconstructions and changed its appearance. At the beginning of the 20th century, the palace was renovated to meet the needs of Grand Duke Michael Alexandrovich.

Travel Palace (Small Palace of Peter I)

2 Maksim Gorky Street, Saint Petersburg, Russia, 198515

The Travel Palace (Peter I's Small Palace) is the earliest building in the suburb of Strelna near Petersburg that has survived to this day from the Petrine era. The palace is located not far from the shore of the Gulf of Finland, in the southern part of the Neva Bay, on a low hill left after the retreat of glaciers, surrounded by ravines, near the Strelka River.

Menshikov Palace

Universitetskaya Embankment, 15, Saint Petersburg, Russia, 199034

The palace of the first governor of Petersburg, Alexander Danilovich Menshikov, on Vasilievsky Island is the oldest surviving palace in the city. Under Peter I, all solemn feasts and formal dinners were held here, including the weddings of Tsarevich Alexei with Sophia Charlotte and the future Empress Anna Ioannovna with the Duke of Courland, Friedrich Wilhelm. Before being exiled for embezzlement, His Serene Highness Prince Alexander Danilovich Menshikov built one of the finest palaces in 18th-century Russia.

Naryshkin-Shuvalov Palace (Fabergé Museum)

Fontanka River Embankment, 25, Saint Petersburg, Russia, 191023

A 19th-century architectural monument in Saint Petersburg. It is located at the corner of the Fontanka River Embankment, house 21, and Italian Street, house 39. The building is typical of the era of architectural eclecticism (a combination of elements of late classicism and neo-Renaissance). On November 19, 2013, the Fabergé Museum opened in it.

Mikhailovsky Palace

4 Inzhenernaya St., Saint Petersburg, Russia, 191186

The palace of Grand Duke Mikhail Pavlovich, the fourth son of Paul I and Maria Feodorovna, and the younger brother of Emperors Alexander I and Nicholas I. A historic building in Saint Petersburg, constructed between 1819 and 1825 according to the design of architect K. I. Rossi, located in the city center on a square that was named Mikhailovskaya Square in 1834 (since September 26, 1940 — Arts Square). A monument of late Classicism architecture, or Russian Empire style. Since 1898, the building housed the "Russian Museum of Emperor Alexander III," and since 1917 — the State Russian Museum.

Summer Palace of Peter I

Building A, Saint Petersburg, Russia, 191186

For the construction of his summer residence, Peter I chose a well-established and advantageously located estate on the cape between the Neva and the Nameless Channel (now the Fontanka River), where the property of Swedish Major E. B. von Konow (Konau) was situated – a small house with a farmyard and a garden. In August 1710, by Peter’s order, construction of a stone building began on the site of the former house, following the design of architect Domenico Trezzini. In 1713–1714, work was carried out on the interior and exterior decoration of the building, in which architect and sculptor Andreas Schlüter may have participated.

Mariinsky Palace

Isaakievskaya Square, 6, Saint Petersburg, Russia, 190107

The palace in Saint Petersburg on Isaakiyevskaya Square is named after the daughter of Emperor Nicholas I, Maria, to whom it was intended as a wedding gift on the occasion of her marriage to Duke Maximilian of Leuchtenberg. It was built between 1839 and 1844 according to the design of Andrei Stackenschneider and is considered the architect's finest work. In the 1880s, the palace was sold to the treasury and became the residence of the State Council; in the 1890s, it was renovated and partially rebuilt under the direction of architect Ludwig Peterson. In 1906, under the leadership of Leonty Benois, a separate wing was added for the Large Assembly Hall. Since the late 19th century, alongside the Winter and Tauride Palaces, the Mariinsky has been one of the three "political" palaces of Petersburg. After the February Revolution of 1917, it housed the Provisional Government, and after the October Revolution, it was handed over to the Supreme Council of the National Economy. From 1945, the Leningrad Soviet convened in the palace. During the August Coup of 1991, the Mariinsky became the center of resistance to the State Committee on the State of Emergency (GKChP) in Leningrad. In 1994, after the dissolution of the Leningrad Soviet, the palace was occupied by the Legislative Assembly of Saint Petersburg.

Sheremetev Palace (Fountain House) - Museum of Music

Fontanka River Embankment, 34, Saint Petersburg, Russia, 191014

One of the palaces of the Sheremetev counts in St. Petersburg, named after the Fontanka River on whose bank it stands. Until 1917, the Sheremetev Palace and estate belonged to five generations of the senior (count) branch of the Sheremetev family. Currently, the main building of the palace houses the Museum of Music, which includes a restored enfilade of the ceremonial halls on the second floor. In one of the wings is the Anna Akhmatova Museum in the Fountain House.

Stroganov Palace

Nevsky Ave., 5m, Saint Petersburg, Russia, 191186

Built according to the project of architect Bartolomeo Francesco Rastrelli in 1753–1754 and rebuilt by Andrey Nikiforovich Voronikhin, it is one of the examples of the unique Rastrelli "Baroque-Rocaille style." Currently, it is a branch of the State Russian Museum, to which the building has belonged since 1988.

Palace of Grand Duke Alexei Alexandrovich ("House of Music," "Alexeevsky Palace")

Moika River Embankment, 122, Saint Petersburg, Russia, 190121

One of the grand ducal palaces of Saint Petersburg, located on the Moika Embankment. Built by M. E. Mesmakher for Grand Duke Alexei Alexandrovich in 1882–1885. Since February 2006, the building has housed the Saint Petersburg House of Music — an institution whose main goal is the preservation and development of the traditions of classical musical art, as well as the preparation of conservatory students and graduates for international competitions and festivals.

Novo-Mikhailovsky Palace

Palace Embankment, 18, Saint Petersburg, Russia, 191186

A federal architectural monument, the Grand Duke’s Palace, located in the center of Saint Petersburg at 18 Palace Embankment and 19 Millionnaya Street (Stallmeister Corps). The architect was Andrey Ivanovich Stakenschneider. The palace is considered the third major grand ducal residence built according to the architect’s design. It was constructed between 1857 and 1862 specifically for Grand Duke Mikhail Nikolaevich, son of Emperor Nicholas I. The palace’s construction is linked to the prince’s marriage to Princess Cecilie Auguste of Baden. Since there was already one Mikhailovsky Palace in the city, the residence for Mikhail was decided to be named Novo-Mikhailovsky. Currently, the palace houses several institutions of the Russian Academy of Sciences. The palace is designed in a style defined as early eclecticism, expressed through numerous stylistic references to different eras. Although the palace does not hold active urban planning significance, being just one building among a series of Petersburg palaces and mansions, it stands out noticeably in the cityscape of the area due to its lavish, ornate facade decoration and large scale.

Kamenny Island Palace

Embankment of the Malaya Nevka River, 1, Saint Petersburg, Russia, 197045

The Kamenny Island Palace, built for Paul I, never became his home. His son Alexander I, on the contrary, made it his main residence, where he subsequently made a number of the most momentous decisions for the country. It is also here, according to legend, that the emperor dreamed of Peter I in the form of the "Bronze Horseman."

Yusupov Palace - Institute of Railway Engineers Corps - Petersburg State Transport University

Moskovsky Ave., 9b, Saint Petersburg, Russia, 190068

The estate of Prince Yusupov on the Fontanka River in the mid-18th century was one of the wealthiest in the city. On the plot stood a luxurious Baroque palace, whose layout resembled a widely spread letter H. The building, raised on high cellars, combined a central two-story volume with one-story transverse wings, connected by one-story sections. A trellis fence separated the estate from the river.

Vorontsov Palace

26 Sadovaya St., Building A, Saint Petersburg, Russia, 191023

A palace in the central part of Saint Petersburg, located on Sadovaya Street opposite Gostiny Dvor. It was built according to the project of architect Francesco Rastrelli between 1749 and 1758 for Chancellor Mikhail Vorontsov. The palace was distinguished by its rich, elegant facade decoration and lavish interior finishes, featuring more than 50 ceremonial halls and rooms. Due to the colossal expenses on construction, just a few years after completion, Vorontsov was forced to sell the palace to the treasury for 217,000 rubles. Under Paul I, the palace was given to the Maltese Order, during which the Maltese Chapel was built based on a design by Giacomo Quarenghi. In 1810, Emperor Alexander I placed the Page Corps in the palace, and the building belonged to it until the revolution. In the 20th century, the palace complex was occupied by various military schools. In 2019, the building was taken over by the Third Cassation Court of General Jurisdiction. In 2021, under the guise of major repairs, the institution initiated a tender for the demolition of three pre-revolutionary wings on the palace grounds.

Tauride Palace

Shpalernaya St., 47, Saint Petersburg, Russia, 191015

One of the most recognizable landmarks of Petersburg, it served as a residence for famous historical figures, the Provisional Government, and even as the barracks for the Horse Guards Regiment. Initially, the palace was called the Horse Guards House because it was located in the settlement of the Horse Guards Regiment, in which Potemkin once served. Its current name, the Tauride Palace, was given after Potemkin's death by order of Catherine II. This was done to commemorate the annexation of Taurida (Crimea) in 1787, which was largely made possible thanks to Potemkin himself. In 1918, after the assassination of the famous revolutionary Moisei Uritsky, the palace was renamed in his honor. However, this name did not catch on, and quite soon the historical name Tauride was restored.

Bobrinsky Palace on Galernaya Street

Galernaya St., 58-60, Saint Petersburg, Russia, 190121

This is one of the best and most cohesive examples of noble architecture from the late 18th century, built by the architect Luigi Rusca. An impressive facade faces the street, resembling an attic adorned with figures, a spacious courtyard, and gates with a grille. But the facade facing the garden is even more beautiful. Here, there is a portico with a pediment and two semicircular projections, treated on the outside with columns. The projections are topped with domes. Along the Admiralty Canal runs a grille, ending with a charming gazebo at the corner. In the other direction, there is a stone fence with busts. Old trees with their dark trunks blend perfectly into a single cohesive landscape with the architecture.