The three-flight staircase of Marienthal Park

Sadovaya St., 20, Saint Petersburg, Russia, 196621

The stone staircase from the treillage to the pond was built by V. Brenna in 1793; it had six marble statues on the side ledges and initially the same number of lions.

The decorative park pavilion was erected by Brenna before the construction of the staircase in 1792-1794. The treillage consisted of three parts, the walls were made of openwork wooden lattices; it is a light gazebo with a dome and mesh walls. In 1816, during repairs by G. P. Pilnikov, the side parts were dismantled. The wooden structure was repeatedly repaired. The weathered lattices of the treillage were removed in 1957 for restoration, which never took place. The pavilion, which survived the war, has still not been restored.


The stone staircase from the treillage to the pond was built by V. Brenna in 1793; it had six marble statues on the side ledges and initially the same number of lions, later replaced by four vases made of Russian Olonets marble. These statues were removed long before the Revolution and placed in other locations; one of them, Aphrodite Kallipygos, now stands on the small pond opposite the Aviary. In the winter of 1920, one of the vases was thrown down the stairs and broken by Red Army soldiers. The stone landing platform at the end of the staircase was built later according to a design by A. Voronikhin, featuring his characteristic four lion-sphinxes; it is possible that these are the very lions received from the Academy of Arts in 1817 and therefore placed here after the death of the author himself. The slopes of the shore, the base of the balustrade, and the base of the landing are securely reinforced with several rows of piles.

The treillage staircase is symmetrical to the Italian staircase located on the other side of the Pavlovsk Palace, also descending to the Slavyanka River, since the Mariental pond is part of this river and serves as the compositional axis of the entire Pavlovsk palace and park complex.

The main difference between the treillage staircase and the Italian one is the absence of sculptural decoration. Although the pedestals, as you can see, have been preserved. The staircase lost its sculptural decoration not during the war, as one might expect. The statues from the treillage staircase were moved to various places in Pavlovsk Park back in the 19th century. Only the lions remained.

During the Great Patriotic War, one of the lions disappeared (there is a version that it was thrown into the Mariental pond). To maintain symmetry, two sculptures were left on the landing, and the third was moved to the walls of the Pavlovsk Palace. Currently, there are no lions at the staircase; on March 12, 2019, with the participation of the St. Petersburg Improvement Committee and on the recommendation of the Committee for State Control, Use, and Protection of Historical and Cultural Monuments, the statues were moved to the territory of the Pavlovsk State Museum-Reserve. In 2019, the lions were relocated to the walls of the right wing of the Pavlovsk Palace.

Thus, better conditions for the storage of the statues and their protection from possible acts of vandalism have been ensured, as well as the elimination of the risk of statues falling into the Slavyanka River due to a possible collapse of the landing. They can be admired on the way to the Gonzago Gallery or the Private Garden; the return of the granite lions to their historic place is not planned.

The decision to leave the lions by the walls of the Pavlovsk Palace is understandable, but the granite beauties sitting by the water are greatly missed on the now empty treillage staircase, which has also become neglected and is slowly deteriorating.

During the Great Patriotic War, a German cemetery was located on the platform in front of the Large Treillage Pavilion.

Sources:

https://www.citywalls.ru/house25791.html

V. N. Taleporovsky, “Pavlovsk Park,” Brockhaus-Efron Publishing, Petersburg, 1923, p. 85

“Guide to the Mariental Valley,” compiled from the books of B.V. Yanush parts I, II, III, “Unknown Pavlovsk” by methodologist T.K. Safonova, DDT “Pavlovsky”

Follow us on social media

More stories from Petersburg, Suburbs: The Secrets of Pavlovsk

Pavel's Big Toy

Mariinskaya St., 4, Saint Petersburg, Russia, 196620

On December 19, 1796, Emperor Paul, having ascended the throne, issued a decree for the construction of a fortress on the site of the Marienthal Palace.

Saw Tower

Krasnogo Molodtsa, Saint Petersburg, Russia, 196625

The Saw Tower is one of the poetic pavilions in the park, designed in a pastoral-romantic style. The pavilion was a tribute to the fashion of its time and served as a place for brief rest during a long walk through the park.

Saw tower

Krasnogo Molodtsa, Saint Petersburg, Russia, 196625

The Saw Tower is one of the poetic pavilions in the park, designed in a pastoral-romantic style. The pavilion was a tribute to the fashion of its time and served as a place for brief rest during a long walk through the park.

The Benefactor Husband or The Mausoleum of Paul I

Saint Petersburg, Russia, 196625

The Mausoleum of Paul I is not the emperor’s tomb. Paul I, like all members of the imperial family, is buried in the Peter and Paul Cathedral in Saint Petersburg. In one of her letters, Empress Maria Feodorovna refers to it as a "Monument," and in the contract with the architect Carlo Domenico Visconti, she calls it a "Temple." The modern name is "To the Benefactor-Spouse" or "Mausoleum of Paul I."

Deer Bridge

Rozovopavilionnaya Alley, Saint Petersburg, Russia, 196621

The sculptures of graceful animals – two pairs of reclining deer – were acquired for Pavlovsk by Grand Duke Nikolai Konstantinovich in 1875.

Pink Pavilion

Pavlovsk, Saint Petersburg, Russia, 196621

On the southwestern edge of the Belye Berezy district, at the beginning of the Rose Pavilion Alley, laid out from the Parade Field to the Circle of White Birches, stands one of the most poetic structures of Pavlovsk Park – the Rose Pavilion.

Obelisk in Marienthal Park

Sadovaya St., 20, Saint Petersburg, Russia, 196621

Pavlovskoye began to be built in 1777.

Niobides

Rose Pavilion Alley, Saint Petersburg, Russia, 196621

Four of the twelve paths radiating from the center and leading from the square to the Starosilvian ponds feature several statues of the Niobids fleeing from Apollo with a bow.

Old Silvia

Unnamed Road, Saint Petersburg, Russia, 196621

"Everything here involuntarily draws us to reflection," Zhukovsky wrote about this corner of the park. More than once he stood by this half-ruined fence and listened to the sound of the cascading water.

New Silvia

State Museum-Reserve, Saint Petersburg, Russia, 196625

Paths and trails run throughout the area, winding around the ponds, sometimes opening onto clearings, then disappearing again into the dense forest... Indeed, is this a forest or a park? All around are tall, gloomy fir trees, their thick, shaggy branches touching the ground. The trees come right up to the edge of the ravine, and below, in a narrow crevice, lies a pond. Its water is dark as black. Following the contours of the shore, a small path winds along. All around is forest wilderness. Step slightly aside—the moss cushions your feet. You want to lie down beside a tall pine, rest your head on its mossy roots, and watch as its top sways somewhere high above.

Pavilion Temple of Friendship

Unnamed Road, Saint Petersburg, Russia, 196620

The Temple of Friendship is Charles Cameron's very first work in the Pavlovsk landscape park.

Monument to Beloved Parents

Unnamed Road, Saint Petersburg, Russia, 196621

Originally, this was a memorial pavilion for Sister Maria Fyodorovna - Frederika.

Large stone staircase

Sadovaya St., 20, Saint Petersburg, Russia, 196621

The staircase was designed according to the project of architect Vincenzo Brenna, who skillfully utilized the character of the landscape in its creation. The staircase consists of 64 steps and leads from the Pavlovsk Palace down to the valley of the Slavyanka River. The large stone staircase on the steep riverbank slope is adorned with two pairs of reclining lions.

Colonnade of Apollo

Sadovaya St., 17, Saint Petersburg, Russia, 196620

The image of the ancient god Apollo was meant to express the idea of the triumph of nature and art in the park, and Cameron constructed the Temple of Apollo in the spirit of ancient buildings.

Amphitheater

al. Green Woman, Saint Petersburg, Russia, 196625

The amphitheater is also called the "place of the first date" or the "Monument to Nika," and in olden times it was also known as the "Belvedere."

Dairy

Sadovaya St., 20 lit. V, Saint Petersburg, Russia, 196621

Originally, it was the empress's farm, built by Cameron modeled after the "Dairy" at the estate of the Duke of Württemberg.

Cast Iron (Nikolaevsky) Gates

Konyushennaya St., 1, Saint Petersburg, Russia, 196620

Cast iron gates on Sadovaya Street – a gift made by Emperor Nicholas I to his mother Maria Feodorovna for her birthday on October 14, 1826.

Centaur Bridge

Sadovaya St., 20, Saint Petersburg, Russia, 196621

One of the most beautiful bridges in Pavlovsk Park is the Centaurs Bridge.

Musical Station of the Tsarskoye Selo Railway

Staroshaleinaya Alley, Saint Petersburg, Russia, 196620

In 1836-1837, the main line of the Tsarskoye Selo Railway was laid through the territory of Pavlovsky Park. A clearing was made through the park, and an embankment was constructed almost up to Sadovaya Street.

The Church of Saint Mary Magdalene - the first stone building in Pavlovsk

Sadovaya St., 17, Saint Petersburg, Russia, 196620

The Church of Saint Mary Magdalene is an Orthodox temple in Pavlovsk, the first stone building in the city. The church was founded in May 1781 in the presence of Grand Duke Pavel Petrovich and his family. The construction of the church was funded by Empress Maria Feodorovna. The project was designed by Giacomo Quarenghi. All the stonework on the church was completed on September 12 (23), 1781, but the consecration of the church by Metropolitan Gavriil (Petrov) in the name of Saint Mary Magdalene took place only on September 6 (17), 1784.

Kurakin Almshouse

3 Prosveshcheniya St., Saint Petersburg, Russia, 196620

The Kurakin Almshouse is an architectural monument built in Pavlovsk by architect Leone Adamini at the behest of Prince Alexey Kurakin to provide shelter and a dignified life with full state support for disabled veterans of the Patriotic War of 1812. This idea came to the prince in 1819, construction of the building began in 1820, and the first residents moved in in 1821. By 1831, 16 war heroes—officers and enlisted men—were living in the almshouse for disabled veterans.

Gostiny Dvor

Peschanıy per., 5/13, Saint Petersburg, Russia, 196620

The growth of the city contributed to the activation of trade, while special attention was paid to the appearance of establishments intended for this purpose. In August 1832, the director of Pavlovsk petitioned for the gradual reconstruction of the shops used during fairs, which had “become completely dilapidated.” According to the report, Mikhail Pavlovich decreed: I approve, but it is desirable that the reconstruction be done on both sides (south and north), for without this, everything will be an eyesore on one side only. If this cannot be done in one year, then at least in two.”

Column "End of the World"

MFW7+CR Pushkinsky District, Saint Petersburg, Russia

The "End of the World" Column is a monument of park architecture from the late 18th century. In 1784, along the axis of the Triple Linden Alley at its exit onto the square, a marble column was installed according to Cameron's design, and the entire area began to be called the Column Square. A few years later, cast-iron gates appeared here, completing the design of the square. An image of this place can be seen on the painting of an antique fan from the museum's collection.

Konstantinovsky Palace in Pavlovsk Park

MFQC+H9 Pushkinsky District, Saint Petersburg, Russia

The time of the creation of the Konstantin Palace dates back to the late 18th century. The construction of the palace began in the Catherine Park of Tsarskoye Selo in November 1792. The palace was built from November 1792 to June 1793 according to the design of architect Giacomo Quarenghi. It is known that it was a rectangular two-story building, 58 meters long and 23 meters wide. The central part of the main facade, with three Venetian (triple) windows, was crowned with a pediment. Ten Ionic half-columns were installed between the windows. The exterior of the palace was clad with boards, the walls were painted yellow, and the roof was green. The years of the Konstantin Palace's existence in Tsarskoye Selo represent only the first stage of its history. On August 19, 1797, when Paul I ascended the throne, a decree was issued to move the Konstantin Palace with its kitchen to Pavlovsk. The relocation began in February 1798 and lasted more than five months. The construction of the palace was carried out under the supervision of architect Brenna.