Red Valley

Novo-Sadovaya St., 50, Saint Petersburg, Leningrad Region, Russia, 196625

The Red Valley is the name of one of the remote areas of Pavlovsk Park. In 1804, it was designed by the decorative artist Pietro Gonzago, an Italian master of landscape gardening. The Italian was invited to arrange Pavlovsk Park by Empress Maria Feodorovna, who commissioned him to improve certain sections of the park.

Imperial Parks: Pavlovsk

Red Valley is the name of one of the remote areas of Pavlovsk Park. In 1804, it was arranged by the decorative artist Pietro Gonzago, an Italian master of garden and park art. The Italian was invited to arrange Pavlovsk Park by Empress Maria Feodorovna, who commissioned him to improve certain sections of the park. Red Valley differs from other parts of the park by its thoughtful combination of natural landscape with man-made greenery and well-executed clearings. In the park's design, Cameron's buildings did not play an important role, since to create picturesque scenes, the decorative artist used only nature, grouping trees and bushes, alternating groves, meadows, and clearings.

To date, Red Valley is the most "neglected" area of Pavlovsk Park, and the Elizabethan (Krasnodoliny) pavilion is also in a state of disrepair. Restoration of the monuments in this part of the park is planned in the near future.

The landscape of Red Valley is based on numerous ponds, a chain of which stretches from the Bolshaya Zvezda area, crossing the Tyarlevskaya clearing and connecting with the ponds of the New Chalet, ending with the Krasnodoliny pond with a cascade flowing into the Slavyanka River. It is in this part of the park that the famous Island of Love is located. In addition to natural and man-made beauties, Red Valley also contains two monuments related to events of the Great Patriotic War. One is dedicated to four nurses who died during shelling, and the second commemorates a certain Zulyaykha Batarsheva, about whom nothing is known except that she died in 1941 during fierce battles.

Source:

https://www.spb-guide.ru/elizavetin-krasnodolinnyj-pavilon-pavlovsk.htm

https://www.columbista.com/ru/showplace/krasnaia-dolina

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Paths and trails run throughout the area, winding around the ponds, sometimes opening onto clearings, then disappearing again into the dense forest... Indeed, is this a forest or a park? All around are tall, gloomy fir trees, their thick, shaggy branches touching the ground. The trees come right up to the edge of the ravine, and below, in a narrow crevice, lies a pond. Its water is dark as black. Following the contours of the shore, a small path winds along. All around is forest wilderness. Step slightly aside—the moss cushions your feet. You want to lie down beside a tall pine, rest your head on its mossy roots, and watch as its top sways somewhere high above.

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Pink Pavilion

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Imperial Parks: Pavlovsk

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Imperial Parks: Pavlovsk

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Musical Station of the Tsarskoye Selo Railway

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Round Hall ("Musical Pavilion")

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Imperial Parks: Pavlovsk

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Elizabethan Pavilion (Krasnodoliny)

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Imperial Parks: Pavlovsk

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In 1801, near Glazovo (now part of Tyarlevo), in one of the most remote corners of Pavlovsky Park, the Elizabethan or Krasnodoliny Pavilion was built. This pavilion—the last work of architect Charles Cameron in Pavlovsk—so amazed and astonished contemporaries that it was called an "architectural whim." Indeed, there was much to marvel at. Cameron and his assistants—architect Shreter and master stonemason Visconti—created an unusual, original, yet extraordinarily harmonious building.

Ruins at the Elizabethan (Krasnodolny) Pavilion

Novosilviy Bridge over the Slavyanka River, Okruzhnaya Avenue, Saint Petersburg, Russia, 196625

Imperial Parks: Pavlovsk

Ruins, a pavilion in Pavlovsky Park, built by Cameron in the early 1800s near the Elizabeth Pavilion on the left bank of the Slavyanka River in the area known as the Red Valley. The ruins consisted of a wall with arched openings; a staircase led up to the wall, and there was a cascade. Around the ruins, authentic antique marbles were scattered. Svinin, in his descriptions of St. Petersburg and its surroundings, wrote: “...Very skillfully made ruins – broken statues, bas-reliefs, cornices, and columns of various marbles, emerging from the grass and covered with moss, present to the imagination a vivid notion of the ruins of Greece, still breathing greatness and glory.”

Novosilviy Bridge

Novosilviy Bridge over the Slavyanka River, Okruzhnaya Avenue, Saint Petersburg, Russia, 196625

Imperial Parks: Pavlovsk

The Novosilviy Bridge in Pavlovsky Park was constructed according to the design of architect Ivan Yakovlevich Potolov and engineer Alexey Chikalev in 1875, replacing the former Gurov Bridge (1801). Its name is connected to the name of the forest area in which it is located. It connects the Red Valley with the New Silviya district. A path leads down to the bridge from the "End of the World" column. The bridge is decorated with blocks of porous wild stone and railings made from birch trunks.

Circle of White Birches

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Imperial Parks: Pavlovsk

The "Belye Berezy" district is the largest and most remote in Pavlovsk. For 25 years, the landscaping of this area was overseen by the master of garden art, Pietro Gonzago. To create picturesque landscapes — beautiful meadows and distant vistas — he had to cut down forests, and in some cases, plant trees.

Column of Princess Lieven

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Imperial Parks: Pavlovsk

The Column of Princess Lieven in Pavlovsk Park — a marble column on the peninsula between the Rose Pavilion Ponds — was once topped with a metal sphere and set on a red granite pedestal, surrounded by posts that remain from the fence. It "faced" the Konstantin Palace located opposite, which was completely destroyed during the Great Patriotic War.

The Parade Field and Princess Lieven Island

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Imperial Parks: Pavlovsk

The Parade Field, or Parade Place, was created at the end of the Triple Linden Alley according to a design by V. Brenn. It was intended for military maneuvers conducted by Paul I. After his death, this picturesque area was transformed into a park between 1803 and 1813 by the master Gonzago. A pond appeared here, with an island in the center named Princess Liven Island, in honor of Maria Feodorovna’s friend and the governess of the grand duchesses, Charlotte Karlovna Liven.

Column "End of the World"

MFW7+CR Pushkinsky District, Saint Petersburg, Russia

Petersburg, Suburbs: The Secrets of Pavlovsk

Imperial Parks: Pavlovsk

The "End of the World" Column is a monument of park architecture from the late 18th century. In 1784, along the axis of the Triple Linden Alley at its exit onto the square, a marble column was installed according to Cameron's design, and the entire area began to be called the Column Square. A few years later, cast-iron gates appeared here, completing the design of the square. An image of this place can be seen on the painting of an antique fan from the museum's collection.

Konstantinovsky Palace in Pavlovsk Park

MFQC+H9 Pushkinsky District, Saint Petersburg, Russia

Petersburg, Suburbs: The Secrets of Pavlovsk

Imperial Parks: Pavlovsk

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The time of the creation of the Konstantin Palace dates back to the late 18th century. The construction of the palace began in the Catherine Park of Tsarskoye Selo in November 1792. The palace was built from November 1792 to June 1793 according to the design of architect Giacomo Quarenghi. It is known that it was a rectangular two-story building, 58 meters long and 23 meters wide. The central part of the main facade, with three Venetian (triple) windows, was crowned with a pediment. Ten Ionic half-columns were installed between the windows. The exterior of the palace was clad with boards, the walls were painted yellow, and the roof was green. The years of the Konstantin Palace's existence in Tsarskoye Selo represent only the first stage of its history. On August 19, 1797, when Paul I ascended the throne, a decree was issued to move the Konstantin Palace with its kitchen to Pavlovsk. The relocation began in February 1798 and lasted more than five months. The construction of the palace was carried out under the supervision of architect Brenna.